Low low low

Sep. 6th, 2023 04:28 pm
asakiyume: (shaft of light)
Do you remember I compared low-ish water in July 2022 with high-ish water in March 2023 for the little tributary that connects Letícia to the Amazon?

Here the two photos are again, as a reminder )

September is a very low-water month, close to the lowest, if not the lowest. And here's what that same area looks like now:



Barely any water at all. The buildings on the left are the ones that were floating in the other two pictures.

(Photo from this Facebook page.)
asakiyume: (shaft of light)
In order for me to learn how to say things in Tikuna, my teacher sends me short recordings over WhatsApp. I then save them in files on my phone and computer and listen to them over and over and try to copy what she's saying.

These recordings are so, so charming, they always make me smile. She starts off with good morning, good afternoon, good evening (in Spanish), and in the background there may be music, or kids playing, or the sounds of cooking, or the sound of rain, or birds and insects. Sometimes she's whispering because she's sending me a message late. I never realized how VERY QUIET my own environment was until I started getting these lively recordings--such a gift.

And then there's how she frames what she's teaching me. She had just explained to me how to say "I want to eat pineapple (followed by fish, and then grilled chicken--"I'm getting hungry!" I told her), and next she wanted to tell me how you would ask someone "Do you want to eat pineapple?" She introduced the phrase by saying, "When you want to ask someone if they want to eat pineapple, for example, your niece, your child, your uncle... [brief pause], your husband ... [another pause] your dog, your grandfather, your grandmother, you ask--" want to know how to ask it? )

I was grinning and grinning at that very broad and inclusive list. She's very close with her nieces and her boyfriend's nieces; I'm not surprised she put them first ^_^
asakiyume: (shaft of light)
I finished my six-page picture book about planting eggs and incubating avocado seeds. Behold! The egg grew into a tree that has eggs on it:



And the avocado seeds that the hen sat on hatched some avocado chicks:



I sent the text and pictures to my friend and Tikuna teacher and said if she wanted to put it into Tikuna, we could create a dual-language book ;-) (And I said she should tell me if I'd messed up the Spanish, which is highly probable.)

The complete PDF is too large for me to send to my guides, let alone my friend, so I will try printing it up here and mailing it--though I'm not sure postal mail will reach anyone. But in any case, they have the pictures and (minimal) text to get a smile out of, and if my friend does put it into Tikuna, I'll add that in and send her the text and pictures again.

40 days

Jun. 12th, 2023 10:59 pm
asakiyume: (shaft of light)
No doubt you've heard the story of the four children--oldest only 13, youngest only 11 months at the start of the ordeal--who survived in the Amazon rain forest for 40 days after the small plane they were in crashed. The oldest, a girl named Lesly, was able to take care of her younger siblings, including the baby, until rescuers eventually found them.

The children were indigenous, and family members say that they were familiar with the forest, and Lesly had knowledge of which fruits and roots were edible and which were not. And apparently they started out with a supply of cassava flour. Colombian TV had images of a shelter Lesley built for the others to keep the rain off.

When I messaged my guides R & L about the story, they said the kurupira, the spirit of the forest who can either lead people astray or save them, must have been watching over them.

Here is a statue of the kurupira from Reserva Flor de Loto. She's got one foot facing forward and one backward (some representations of her have both feet facing backward), which confuses trackers. She can change her appearance to look like someone you know, but her feet are always the giveaway.

kurupira

My guides also talked about the rescue dog, Wilson, whose tracks led rescuers to the kids--they talked about him because Wilson vanished. Like a trade: Wilson agreed to stay in the forest, and so the forest released the children.

... which is something that feels more comfortable to think about as a story than in reality. In reality, when a real flesh-and-blood dog is involved, you want him to come back as well. Here's a picture of Wilson that Lesly drew (from the paper El Tiempo)



And here is some art from CNN Español



There was a team of indigenous rescuers with the military rescuers, and when they found the children, they sang a song to welcome them back to the human world. The song was to encourage them to leave behind the heat of the forest and take up the heat of humanity.

Quite a story.
asakiyume: (yaksa)
It's been a while, but I finished the next illustration for my Semillas y Huevos picture book, where the kids plant an egg and put an avocado seed under a chicken to hatch.

It took extra long because I finished one drawing but was dissatisfied with it, so had to start over. (I like this one better)

Here the kids are, planting the egg.

asakiyume: (yaksa)
My friend Francy is looking for work, and I am eager to learn Tikuna without taking advantage of her, so I proposed to pay for a month or so of lessons (I don't want to saddle her with a long-term obligation and don't know how long I can afford to do this) as a source of income while she looks.

I should have known from how graciously and easily she taught me words when I was visiting that she'd be an excellent teacher, but I've been truly blown away. She's made me two diagrams of the forest field site where I got to join in the fariña roasting, labeling everything in both Spanish and Tikuna, and she sent me a video where--as the rain beats down on the roof overhead--she goes over how to pronounce each word, slowly and clearly.

Here's a portion of the diagram: you can see the yuca plant with the big tubers, the fariña being sieved through the cernador (in Tikuna, cuechinü), and that figure is me !

Yuca, fariña, me


I also should have known she'd be an excellent teacher because she's taken one of her nieces in hand, helping her with school work. (This is one of the kids who was so eager to show me her notebooks ^_^)

helping niece


There are NOT a lot of resources in Tikuna. When I visited the community of Mocagua (a community with three indigenous peoples living together, Tikuna, Cocama, and Yagua), I got to see some textbooks that the kids in the community used, but they were few and consequently very precious: they had been created through the work of a foundation, Codeba, itself the creation of one remarkable Cocama woman, Emperatriz Cahuache. When she passed away, no one kept the foundation going, so there haven't been any more textbooks made.

The books share Tikuna traditions, and also provide general instruction in both Spanish and Tikuna. Here, an explanation of the water cycle:

The water cycle: explanation in two languages )

I asked if there was a Spanish-Tikuna dictionary, and they showed me a children's picture dictionary. Behold a káurë bird, *just like in my story*. It's so vindicating when research doesn't lie to you.

kaure

And some more ^_^

other birds


I don't know how for-real for-real I can learn Tikuna. But I am really loving trying. It's a language for speaking about a life so totally different from my own! (And the sounds are more-different from English than the sounds of any other language I've ever learned.)

In the Peace Corps manual for learning Tetun, there's a very good piece of advice: Don't ask people, "How do you say XX in Tetun?" Don't do this, because if you ask like that, they will offer you a word-for-word version of how to say that... even if culturally speaking, such a thing is never said. (A big example relates to condolences: in Tetun you never say "I'm so sorry for your loss"--it sounds as if you're saying you're taking some kind of responsibility for it.) Instead, ask, "In XX situation, what do people usually say?" Then you'll learn something culturally appropriate.

I am thinking that's going to be what I need to ask ALL THE TIME for however we do lessons together.
asakiyume: (feathers on the line)
When we went to the Amazon in July, we took shelter from a downpour at the Instituto Amazónico de Investigaciones Científicas SINCHI--the Sinchi Amazonic Institute of Scientific Research, "a nonprofit research institute of the Government of Colombia charged with carrying out scientific investigations on matters relating to the Amazon Rainforest, the Amazon River and the Amazon Region of Colombia for its better understanding and protection." There we met Dr. Clara Patricia Peña-Venegas, who gave me a copy of her extremely informative dissertation on cassava.

When I went back in March, I met with Dr. Peña and asked her what new things she was working on.

WELL. She's working on developing biodegradable, sustainable packaging alternatives to plastic for Leticia and the surrounding communities. Plastic trash is a huge problem for Leticia because (as noted in the post on the world's smallest Coca-Cola bottling plant) everything has to be shipped in and out of Leticia, but that's very expensive, so plastic trash just... piles up.

So she and other researchers at Sinchi have been working on various substitutes, using, among other things, cassava starch--and they have prototypes! These samples look a little battered, but that's because they've undergone various stress tests.

tray made from a palm leaf:

palm leaf tray (test sample)

tray made from plant fibers:

pressed fiber tray (test sample)

Stiff-plastic substitute made from cassava starch. This could be used for things like cups:

stiff plastic (test sample)

5-second video of a flexible-plastic substitute, also from cassava starch:



She said they've tested various different types of cassava, and the starch from all of them works equally well--which is good, because it means that local farmers could keep on growing whatever they're growing now, but some of their produce could go to make these products--assuming there's a way to produce these materials affordably for local hotels and businesses. They have a test plant in the nearby town of Puerto Nariño to try to make this happen.

What's cool about this initiative is that they're not trying to find THE ONE TRUE PLASTIC SUBSTITUTE or dominate the world packaging industry: on the contrary, they're trying only to develop something that will work in this immediate region. This is important because it means it would be self-limiting: you wouldn't get people clear-cutting vast swaths of the rain forest to grow cassava for plastic substitutes, which would be a terrible unintended consequence. But if it's solely for local businesses to use, then it would provide farmers with additional income without too much damage to the forest, it would provide job for people in manufacturing, and it would provide hotels and businesses with an environmentally friendly alternative to plastic, one that would biodegrade and wouldn't clog and pollute waterways.

... On our (motorized) boat ride back from the flooded forest, we were moving through large patches of water hyacinth, and floating in the water hyacinth was... lots of trash. At one point the engine stalled out. Why? Because a plastic bag had wrapped itself around the propeller. That experience highlighted just how bad a problem plastic trash is.

I would love to see other hyper-local plastic substitutes developed. Cassava starch doesn't make much sense for my locale, but maybe potato starch? Things that can be locally produced, so there's not the pollution and expense of shipping. And things that biodegrade. (And of course they need to be produceable without huge amounts of petrochemical inputs, or that, too, defeats the purpose....)

This tweet contains a longer video from SINCHI, where Dr. Peña talks about the program (in Spanish).
asakiyume: (shaft of light)
When we went to the Amazon in July, I took this photo of a banyan, also known as an arbol caminante, or walking tree, because of how it spreads. The water was low at this point--you can see the ground beneath the tree.

renaco, lago tarapoto

Now here are some banyans in March, when the water was much higher. You can no longer see the ground! But you can also see the high-water mark--that's how much higher the water will rise.

renaco, lagos yahuarcaca

I promised some pictures of me in a banyan... )

We went in a canoe with no motor, just paddles, for this trip into the flooded forest. R and L, my husband-and-wife guide team, took up the paddles, and I felt too colonialist "explorer" for words and said, "I can do some paddling," and R said, "Oh you have a job. It's to scoop out the water as it seeps in."

This was my scoop:
water scoop

(This job was not very demanding.)

There were beautiful flowers...

flower, flooded forest

flores matamata

From time to time R made a loud "oump! oump!" call.

"What are you calling?" I asked.

"Cayman," he said.

But who answered was not a cayman but an unseen fisherman. L giggled.

We saw a sloth! And then both R and L whistled for it. Apparently female sloths whistle (or scream) to attract a mate.

More flooded forest...

lagos yahuarcaca

grama lote

And the flooded coast

high water off Mocagua
asakiyume: (feathers on the line)
In the Amazon, everything is always falling apart as soon as it's made: termites attack wood, metal rusts, roads disintegrate. And everywhere, new life is always pushing up. This is true everywhere, I realize... just slower

...Here, grass is sprouting on the canoe I was in. (Apologies to those of you who have seen this photo already on Twitter) A good image of resurrection.

grass growing on a canoe
asakiyume: (turnip lantern)
Two posts in one day! What?!

Here is the picture for page one: a boy shows his cousin the two avocado seeds

asakiyume: (shaft of light)
I discovered I have a pair of photos that makes a good comparison of the lower water levels of the Amazon in July and the higher levels in March. Same location, different times of year! (Note: this isn't the actual Amazon, it's a little ingress--you navigate out of this and to the main river.)

Look at the difference between how much land there is between the houses on the far shore and the water. At peak water rise in most years, the water will cover the island those houses are on. (You can click through to see everything larger.)

July 2022
floating buildings, buildings on stilts

March 2023
Letícia, March 2023

What the heck, have a photo of the actual river in all its mighty mighty majesty, from a popular lookout spot in Tabatinga, Brazil:

Amazon River
asakiyume: (yaksa)
I'm making a six-page (counting the cover...) picture book for the kids I met on my trip (they're all siblings and cousins of each other). It's about planting an egg and having a hen hatch an avocado seed. Here's my cover image: two avocado seeds and two eggs :-)

... Hoping you can tell (but would not be surprised if not, heh) that the top two are the avocado seeds and the bottom two are the eggs. I'm biting my tongue to not-say all the things that are wrong with the picture. Mainly I like it even with the problems.

asakiyume: (shaft of light)
Last year, when [personal profile] wakanomori and I went to Amazonas, one thing I really loved was fariña, a preparation of cassava made by grating it, then roasting it. After returning home, I found a great video on the making of it among the Tikuna (I wrote about it here; the entry had screenshots from the video). And I knew that was something I really, really wanted to participate in if I ever got the chance.

And I did get the chance, and it was (a) just like the video and (b) lovely, and (c) I made a great friend who had nearly the same name as me.

First went to a little shop in a residential part of Letícia to get rubber boots for me. Then we went by taxi to a point in the middle of apparent nowhere, and the taxi let us out. There was a tiny path leading into the landscape, and we set out on that:

four photos: little shop, taxi, and two of the path )

All along the way there were wild fruits we could just reach out and eat. Here, granadilla, a type of passion fruit. This one isn't ripe, but we had some ripe ones.

granadilla

And there were garden patches and fields all along the way, too, but blending right in to the riot of other growing things. Here, pineapples:

ripening pineapple

There was also sugarcane, bananas, and... cassava! Here's a bunch which even I could see was a grouped planting (you can see some small bananas in there too, though):

cassava planting

At last we came to the place where the fariña roasting was happening. You can see the machine used for grating the cassava--just like in the video! But they were past that stage. The big roasting pans are also just the same! And the paddles for turning it. They graciously let me take a turn. My new friend Francy and her mom are feeling the fariña to see if it's still damp, or if it's dry. If it's dry, it's done.

You can see that the fariña is being roasted over a fire that's contained by a wall of corrugated metal that's then insulated with a mud-grass mixture. Very cool.

the roasting area--three photos )

When it's done, it gets strained to take out the large lumps, the quiebra muelas, or tooth breakers. But one of my guides likes snacking on those, and they can be good if you soak them in something, like açai juice. Açai was in season, and people were selling the juice (actually somewhere between a juice and a puree) everywhere. People like to have it mixed with ordinary fariña (not the tooth breakers) and a little sugar--wonderful.

You can see that the sieve is handmade. Beautiful.

And then it's ready to be put into a sack to take home. Francy used a scoop made from a gourd to put it in the sack, a beautiful item. On another occasion I had cassava beer, which we drank out of gourds like that, coated on the inside with a local resin. They filled a 50-lb sack with fresh-made fariña. They also had buckets of cassava starch (used to make that beer, among other things).

straining the fariña, scooping it, plus the starch (three photos) )

At some point before we left, we took a little walk around, looking at the fields. When the cassava is grown, you can walk underneath it, like in the first picture. They told me that it's ready to harvest when all but the top leaves have fallen off.

One of my guides was asking about different types of cassava, trying to correctly identify ones that were sweet (don't need to soak to remove the cyanide) from the ones that are bitter (that do need to soak). They looked at things like the leaves to be able to tell, and I was reminded of the dissertation by Clara Patricia Peña-Venegas that I've been reading, which has this diagram of all the places indigenous people look to make distinctions between types.

In her disssertation, she also said that special landraces (local cultivars) get given special names, and I saw this! "Does this one have a special name?" my guide asked of one plant, and Francy's father said, "pajarito."

Under the cut is the diagram, and also: a cleared area for farming, some stems of cassava, which are used for planting (each one is cut into smaller sections for planting), an example of one of those in the ground, and what it's like under a canopy of cassava.

cassava agriculture (five photos) )

When we were finished, we waited for a long time for transport to come. Francy's parents had huge loads: her dad carried the 50-lb bag of fariña, and her mon was carrying a similar amount of firewood. The mom, Mateas, and the bag of fariña went off with one motorcycle taxi, and the dad, the firewood, and Francy went off on another (I think: memory hazy, now). Francy's boyfriend (brother of one of my guides) and my guides and I went back in ... I can't remember now if it was a taxi or a tuk tuk!

Waiting
waiting for transport
asakiyume: (shaft of light)
Among a bouquet of interesting links offered by [personal profile] conuly was one on the economics behind why soda cans in Hawaii are slightly differently shaped from soda cans in other parts of the United States. The video is here, but it comes down to the fact that Hawaii is an island, so most of the inputs for manufacturing have to be shipped there; that, and the fact that because soda is mainly water, it's most economical, in terms of shipping cost, to make it very close to its market--rather than, say, ship it from across the country (easier to mix up the sugar, water, CO2, and flavors close to hand).

Well... those same factors explain in part why Leticia has its own Coca-Cola bottling plant--the world's smallest, so I'm told. Leticia is much like an island: most things have to be brought into the region ... which is not easy: there are two tiny airports (one in Leticia and one across the border in Tabatinga, Brazil), and other than that... the river. Things do not travel over land to Leticia.

(I'm not entirely sure about the claim of being the smallest. There might be smaller ones, these days. The Washington Post article I found confirming the Leticia plant's status as smallest is 24 years old. At that time Leticia's population was half what it is now.)

The plant is very small, though! It has pretty curved roofs, and right now there are murals on the outer walls showing arms and hands fistbumping each other, arms of different colors, a nod toward racial diversity. Did I think to take pictures of these? I did not. But here's a version of the image from their Facebook page--you can see how the arms are meant to imitate the Coke swoosh:



And this still from a video shows you the roofs (upper right)



They also bottle local soft drinks, plus potable water (...). The San Juan water bottle that I saved from my first trip was bottled there. I used it (refilling it) all through my trip this time, but alas had to give it up at the airport because I didn't have it empty when it needed to be.
asakiyume: (shaft of light)
I have so much in my head that the words pile up behind... my mouth? or my typing fingers? jostling to be first to come out. So before I try to say anything, I'll just share two clusters of photos, first an assortment of four I shared on Facebook (but you guys here get more context!)

The Facebook Four )

And here is a lower-water, higher-water comparison. The first photo is one I took in July, when we went when the water was low, but not as low as it gets. The second is a photo in the same spot that I took this trip. I thought March was the highest-level time, but it turn out that's in April. So this is high--but not as high as it gets!

lower and higher )

More to come ... and slowly slowly I will also be reading entries I've missed while away (though probably not all...)

miscellany

Mar. 1st, 2023 04:08 pm
asakiyume: (yaksa)
If I wait to have a chance to write about any of these properly, I'm likely to write about none of them, but if I list them here, then maybe I'll come back and do it?
  • Nando has responded to the questions I sent him, questions that were gleaned from people's responses to his latest story. I will definitely be sharing his answers at some point, but I can't do it right now.

  • I might write a cordyceps story. There is an awful lot of cordyceps fiction out there recently. But I might add to it. In honor of that possibility, I doodled some cordyceps critters. (Try to ignore the improbably long body of the dog in that doodle. Also: my story would not feature cordyceps critters. It would be All Humans.)

  • Partly I want to write a cordyceps story because I feel like I have something in me--much less sinister, I'd like to reassure you (but of course that's what the fungus would get me to say, right???)--that is compelling me to go back to the Amazon. Or that's just me pulling a Digory-at-the-bell-of-Charn** move to forgive my own supremely selfish desires. Whatever, I AM going back. Solo, because Wakanomori does not have the flexible work schedule that I do. In 14 days. A 10-day trip, seven full days down there. I will shove my face in all the flowers, taste all the fruits, listen to all the birds, process some cassava and hopefully make some chambira twine, and ... uhhh, come back to infect everyone with a desire to go down there?

  • So yes. My news.

    **Explanation of Digory at the bell of Charn )
asakiyume: (feathers on the line)
On December 14 [personal profile] wakanomori shared a Guardian article with me about Joaquim Melo, the 64-year-old owner of a remarkable bookstore in Manaus, the largest city in the Amazon. The bookstore, Banca do Largo,
serves as a refuge for Amazonian writers and activists alike, pushing to protect the region from exploitation.​ By promoting local literature, particularly works by Indigenous writers, Melo believes he can help spread new ideas about societal organisation and the environment that are different from the capitalistic frameworks prevalent in the west.

Photo of the bookshop, from its website:



I was delighted--I went looking for more and found this video (in Portuguese) about the place. You might click on it just to hear the ambient noise--birds, animals, people, and traffic. And you'll also get to hear Mr. Melo talking <3

I started following the bookstore's Instagram, which updated rather overwhelmingly frequently, always with pictures of Mr. Melo with his customers--locals and tourists alike.

smiling faces )

Then--nothing! I attributed that to algorithm bullshit. But then I went looking and discovered that the account had posted a death notice--Mr. Melo passed away on New Year's Day.

On the death notice was a quote from Chico Buarque (whom Wikipedia tells me is a Brazilian singer-songwriter):

Não há dor que dura para sempre!
Tudo é vário. Temporário. Efêmero.
Nunca somos, sempre estamos.

(There's no pain that lasts forever!
Everything is various. Temporary. Ephemeral.
We never are, we always are ...

I love what Spanish and Portuguese make possible linguistically by having a permanent-state verb "to be" and a temporary-state verb "to be." Because it's so true: we're never an immutable thing, we're always changing. We are dot dot dot

Sometimes you learn of a person just 18 days before they leave the world. Judging from the comments on the post of his death notice, he was well beloved. I hope his bookshop is able to continue.
asakiyume: (shaft of light)
Different palms for different purposes: the caraná palms are for the roofs of the malocas (communal houses). Look how beautiful the weaving is for the roofs:


Photo by Andrés Felipe Velasco, from his page "Tejido Palma de Caraná" on his website Buscando La Raiz

Velasco writes that there are close to 25 types of weaving, representing worms, deer, and crabs, among others.

This 4-minute video shows collecting the leaves of caraná and then weaving them for the roof. So beautiful. The man credited at the 2.06 mark, talking about the figures in the ribs of the roof, is among other things a guide for the Ethnographic Museum in Leticia--we went there; it's a small building but FULL of information.

The weaver is Geiser Peña Ipuchiwa, from Comunidad Bora, at Kilometre 18 in Leticia. (We only found out about this system of identifying where places are located during our visit--by how far along a road or along the river they are.)



And then there's the chambira palm, from which you get the fibers used for making hammocks, bags, fishing lines, and other things like that. When we visited a "tierra de conocimientos" in Puerto Nariño, we made bracelets out of chambira twine--but if/when I go again, I would love to do the background stuff: cutting the palm branches, stripping the leaves, extracting the fibers, and making the twine.

This 7-minute video shows the dying process, as well. The rhizomes that the woman is harvesting from 1.17 is el guisador, Curcuma longa--turmeric! (Not native to the area but well established there.) She also mentions achiote, which makes a red color, el chokanari, Picramnia sellowii, which makes a purple or red color, el buré (Goeppertia loeseneri), which makes a blue-green color, kudi (Fridericia chica), which makes a brown color, and huitillo (Renealmia alpinia), which can make a deep blue or black.





(I've been using the site color.amazonia.com to get the botanical names of these plants--they have a great page showing all the different pigments produced.)

... This post is the result of a long rabbit-hole journey. I was reading more of Aventura en el Amazons, and the family were talking about building a house in the style of a maloca, and they mentioned the different types of tree/plants to be used for the different parts, and when I went to look those up to find out what they were--well, I ended up here.
asakiyume: (Iowa Girl)
One of the things I loved when first we went to Colombia was the fruit--so many fruits I had never heard of or tried. And one of the things I loved when we went to Leticia was the fruit--so many *new* fruits I had never heard of or tried--and also: the fruit as ice cream.

For instance, at Helados Nai Pata (not actually in Leticia but in the town of Puerto Nariño): You can have araza (Eugenia stipitata), camu camu (Myriciaria dubra), and copoazu (Theobroma grandiflorum), none of which I'd heard of before arriving in Amazonas, or maracuya (passion fruit), guanabana (soursop), coco (coconut), and mora (which means "blackberry," but that picture is clearly a (red) raspberry, so who knows).



I was longing for tropical ice cream when we got home, so I looked to see if any of our local roadside ice cream shops had tropical flavors. Answer: no. This surprised me. I would have thought that the combination of cosmopolitanism from the local colleges and the large Puerto Rican community nearby would mean someone had created one. Maybe my search wasn't good enough? Well, in any case, I then moved to searching online for ice cream with tropical flavors, and I found (cue angel choir)
Frutero
(~ ~ its website ~ ~)

Passion fruit! Guanabana! Coconut! Guava! Mango! I was so excited. And they had stores in my area! I went to one, searched the ice cream aisle ... nothing.1 Desperate, I went and ordered myself a six-pack.

And so it came to pass that one day a whole box of ice cream, preserved with ~ ~ dry ice ~ ~ arrived at my house:



And one of the two founders included a letter asking me to let him know what I thought--and after I tried the guanabana (which took me RIGHT BACK to Colombia), I wrote him an effusive letter, and THEN he set up a one-on-one focus-group session to collect my thoughts on ice cream, Frutero, its various flavors, and so on, all of which charmed and delighted me even more.

Meanwhile, I was noticing things about the ice cream. For instance, that it makes where it sources its fruit part of its package design (and most of it comes from Colombia) and how many of each fruit is in a pint:

guavas from Colombia--four pink guavas! )

I went back to the company's website and discovered that supporting farmers in Colombia as part of their mission. (I understand that claiming something is not the same thing as accomplishing it, and that how accomplishment is judged is a whole other issue, but at the very, very least, it shows that you want to appeal to people who care about the mission, and if those people are your customers, they are liable to keep you honest.) So I was even more favorably disposed to the company. Meanwhile, they sent me a bunch of coupons and explained to me why I hadn't been able to find their ice cream in the supermarket I'd tried (see footnote below).

stuff about Frutero in supermarkets )

As you can see, I like the ice cream a whole lot--I think the coconut has the most intense flavor, followed by guava, and I really like the guanabana and passion fruit too. The mango is very nice, but not quite as intensely mango-y as, for example, the guava is guava-y. The tangerine is very good but familiar, and the pineapple I haven't tried.

I wanted to share in case YOU TOO would like to have some tropical ice cream. If you have a store near you, you can click on the link at the website to get a coupon for two dollars off two pints. The store are mainly in the northeast and California, but there's a scattering thought the south and southwest. In the north or in other countries, alas, you cannot access this (though people like [personal profile] anna_wing no doubt have access to local tropical ice cream).

Because I'm in promotor mode, I'm also going to interview the founders. I admire people who create things, and I'm very interested in aspects of their story (like the connection with Colombia), so look for that in November 😌

1There was a good reason for this: the supermarket I was looking in (Stop & Shop) carries it in its natural foods section instead of its ice cream section.
asakiyume: (feathers on the line)
This is one thing I want to go back to the Amazon for: to join in in this (if there was a community that wouldn't mind that). The screenshots here are taken from a gorgeous 21-minute video made by the Department of Intangible Heritage of Peru's Ministry of Culture (the Tikuna/Ticuna/Magüta people's ancestral lands encompass portions of Peru, Colombia, and Brazil).

Here's a link to that video: Uí, preparación y vigencia de la fariña entre los ticuna

It starts by situating us in relation to the forest, to the trees and plants. An anthropologist says that for the Tikuna, "plants are the beings that possess all knowledge ... they are the most intelligent beings there are." I like it better when people are allowed to speak for themselves, and fortunately that's the case in the rest of the film. But I like this idea, and at least I could feel warmth and respect from this woman toward the Tikuna, and toward their respect for plants.

screenshots of the flooded forest and a solo tree against the clouds )

It starts in a field, digging up the cassava tubers. You can see what the cassava plant looks like on the right, and you can get a sense of how big those tubers are! Coincidentally, in the story by Nando I'm currently (very slowly) translating from Tetun, a husband and wife are digging up a kind of yam, and it's a lot of work, and looking at this video, I can see the how and why of that.



Some peeling happens right out in the field. I took this screenshot because I was admiring the little kid, who, though it's not clear in the picture, is wielding a knife of his own: helping!



And I liked this image of everyone coming back to the community with the tubers they'd dug up because of the boy playing the drum and cradling a tuber like a phone between his shoulder and head.



Half of the peeled cassava is left in water to "ripen," and the other half is immediately grated (and then left to ripen... both portions are going to be mixed together in the end, and it all ends up grated, so I'm not understanding this step, but I'm sure there's a good reason for it).

In the community where this video was made, they have a machine for grating the cassava:





(Some cassava is also pounded. Again, not clear on how this figures in to the process. I thought I was understanding the Spanish fairly well, but I could have missed something.)
strong arms )

The video also shows women making the sieves that will be used to strain the grated cassava, and also making the tipiti, a long, woven tube into which the grated cassava is packed.



Once the cassava's packed, the tipiti is hung from a tree and a heavy stick is inserted at the bottom of the tube. Then someone sits on it, and the tube contracts and the moisture is squeezed out of the mash!



The person speaking says if you don't want to sit on the stick, you can just use one that's very heavy that'll do the squeezing for you.

And beneath the cut you can see the mash coming out of the tipiti and being strained:

three photos )

Next comes toasting it. You start early in the morning and go through into the afternoon, or even, if you want, to the following day:



"If there's no fish, there's fariña. What's important is to never lose the cultivation of cassava because in it is the people's way of life,” says one man.



two photos of fariña in meals )

¡Gracias por acompañarme en esta história de fariña!

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