asakiyume: (miroku)
A friend and I were talking asynchronously the other day**, and she put forward this interesting idea:
A thought: we've become a spectator society, where people often watch sports or plays rather than participating themselves. Are we also becoming a society where many people watch social relationships (on TV, the internet, etc.) rather than participating?

What do people think? More than an agree or disagree, what questions does the question raise for you, or what roads does it take your thoughts down?

For me, it got me thinking about the difference between something being effortful and something being miserable. Building something strong takes effort, and effort, by definition, involves work, which isn't always fun. But that's by no means the same as misery. You can rightly want to avoid misery, but I think you're likely to be disappointed in life if you try to avoid effort. ---But that's just one tangent. What does the question raise for you?

**"talking asynchronously" is my new way of saying "exchanging letters."
asakiyume: (more than two)
I have started playing a video game! After the healing angel (youngest kid) told me about Disco Elysium, I thought, heyyyyy, I could try that. That sounds like something I might like. (I can't remember what she said that made me interested, but it was probably something along the lines of what [personal profile] raven says in her entry here about playing and loving the game. In fact, it was reading Raven's entry that CONFIRMED me in my desire to try the game.)

For context, I have played approximately zero video games in the past thirty years. The last (and only) video games I played for real were Tetris and Mac Man (Mac computer version of Pac Man). Somewhere we have a photo of me sitting with infant ninja girl in my lap, playing one of those like the happy but not very skilled addict that I was. Since then, nothing. But I was encouraged by comments on Raven's entry from another person who'd come to it with my level of video game experience. That person said, "I was generally able to learn how to do things by floundering around and fucking up (it helps that floundering around and fucking up is very much in the spirit of the game)."

I needed Wakanomori and the healing angel to turn off all the special bells and whistles that people with dedicated gaming computers enjoy when playing video games, as those were causing my poor desktop machine to huff and puff like the tired engine in The Little Engine That Could, and I need this faithful desktop to keep functioning. But they did, and then the healing angel sat with me through the first fifteen minutes or so, showing me how I could interact with things, etc. Good good! The next day I played a little on my own--Good good!

It was a while before I tried again, and to give you a sense of how incredibly out of it I am with regard to video games, when I decided that today was the day I was going to play some more, I happily opened ... the Discord app. (This also shows you how rarely I use Discord--I think it's been three years?) "Huh... this ... does not look right..." I said to myself.

Because it's Steam that you need to open, not Discord!

Oh, oops!

Then I opened the right app, and I played for almost an hour! 😌😌 I'm so proud of myself, and I'm having fun.

Below are two screenshots--I am not sure when/how I got the first one; it seems tutorial-like in nature? I have marked it up to show all the things that I'm ??? about (but you'll have to click through to see a large size to read). The second is an example of game humor--the last dialogue choice (well, and the third, too).
screenshots )
asakiyume: (hugs and kisses)
A Christmas story by Aster Glenn Gray that I only got to reading now, in February--but just two days until Valentine's Day, and it's a romance, so that fits! And it's very wintery where I am right now, which fits in with the setting of the story, a snowed-in chateau.

George and Nikolai have been rivals (and secret lovers) in a US-Soviet game of spy-versus-spy for 20 years, but it's December 1991 now, and the jig is about to be up for those sorts of games ... but not before the two find themselves thrown together at a chateau, rented out to a toff Englishman (he goes by the name of Biffy) who's hosting the most massive of Christmas parties there. The chateau was supposed to be abandoned; they've both come looking for compromising letters...

The touch is light and the atmosphere is comfy (so much good food!), but the mood, while never heavy, is nostalgic, with a touch of melancholy. Maybe two or three touches. But there's humor, too, as when they have a race back to the Rudolph Christmas sweater that George has been lent (all houseguests are given a Christmas sweater for the duration), and Nikolai gets there first:

George chased after [Nikolai] and tackled [him] just a hair too late: Nikolai had already flung himself on top of the sweater. They tussled briefly, George trying to distract Nikolai by kissing the side of his face. But Nikolai, giggling, slipped away like an eel, and he danced away and pulled the sweater over his head before George was back on his feet. ​

George gave in gracefully. “You look hideous,” he informed Nikolai. ​Nikolai proudly smoothed the sweater “You are grieving the loss of your pompom,” he replied, giving Rudolph’s [pompom] nose a gentle squeeze.


It's a quick read and good fun--and it had a great eleventh-hour plot twist with regard to who-all is after the letters, which I enjoyed.
asakiyume: (cloud snow)
Here are three photos for you. Two I've shared elsewhere on the interwebs, so some of you will have seen them before, but the first one is making its world premiere right here, right now!

Dancing a cumbia with a candle.

Last month we went to see Yeison Landero and his band play cumbia in Amherst. (Here's what his music is like--he throws his head back and goes into a beatific trance as he plays.) It was marvelous.

cumbia candle

When we were last in Colombia, we had one very brief session of learning to dance ;-) The teacher showed us several different styles of cumbia dancing, including one where one partner (traditionally, the guy) takes off his hat and holds it high, then low, as the two partners twirl round. That night in Amherst, the venue was full of people dancing their hearts out, including this one girl wielding a candle like a hat. How great to be dancing with fire!**

Ice Eye

Sometimes the frozen beaver pond glares up at you with a critical eye! (The eye is created by people opening a hole in the ice for ice fishing. It refreezes, and then it's opened again, and so on.)

IMG_0154

Popcorn Blossoms

popcorn blossoms

From swollen buds, just about to unfurl, to a double-petaled flower in all its glory, popcorn blossoms are rightly celebrated for their beauty. As the classical poet wrote

Seeing them explode
ought to be the end of it.
These popcorn blossoms!
--Nothing can keep their buttery goodness
from lingering on my fingers.

(apologies to the poet Sosei and the translator [personal profile] larryhammer for my abuse of Kokinshƫ poem no. 47. You can read more of Larry's for-real translations in Ice Melts in the Wind: The Seasonal Poems of the Kokinshu.)


**Actually we think it was an electric candle. But let's imagine!
asakiyume: (Em reading)
I'm reading too many things to do them all justice, and then interrupting them with other things, but the things I've spent most time with are

--More of Life Is Not Useful, by Ailton Krenak. The first essay was good; I felt more at sea in the second and now the third--I can't quite follow the logic of where he goes all the time, and sometimes there are jargonish phrases that I don't get. Even so, there are moments I like very much.

This, for instance, is both serious but also amusingly expressed:
We can inhabit this planet, but we will have to do so otherwise. If we don’t take steps in this direction, it would be as if someone wanted to get to the highest peak of the Himalayas but wanted to take along their house, their fridge, their dog, their parrot, their bicycle. They’ll never arrive with heavy luggage like that. We will have to radically reconceive of ourselves to be here. And we yearn for this newness.

And this I love:
There are people who were fish, there are people who were trees before imagining themselves as human. We were all something else before becoming people.

--I also have been reading Eagle Drums, by Nasuĥraq Rainey Hopson, a story of an Iñupiaq boy who's compelled to live with eagles to learn what they want to teach if he wants to stay alive. I got this one from the library based on what [personal profile] osprey_archer wrote in this entry, specifically, that it "is built on axioms about how the world works that are vastly different than the ones structuring most modern fiction." She's right! And I'm enjoying that very much.

--I started reading C.S.E. Cooney's Saint Death's Daughter-- I love CSE Cooney's writing so much! I just hope I can maintain momentum on it, because it's long, and somehow I don't apportion as much time to reading as I could (which is a terrible thing for someone who writes to confess to).

Meanwhile, here are some things that I want to read (or have read and want to call attention to):

Aster Glenn Gray's Deck the Halls with Secret Agents. Long-time rival Soviet and US agents meet at a Christmas party! I wonder what happens next ;-)

Iona Datt Sharma's Blood Sweat Glitter --Sapphic romance around roller derby!

This one came to me as a recommendation on Mastodon, and since I follow the author on social media but have never read anything by her, I'm very excited! It's also a podcast--not sure if I will listen or read it: "The Font of Liberty" by Elizabeth Porter Birdsall.

And then there's Kerygma in Waltz Time, which I've read and would recommend to fans of story retellings, fan fiction, and falling into stories--it's by Sherwood Smith, originally published under a pseudonym in It Happened at the Ball, an anthology of ballroom stories.
asakiyume: (feathers on the line)
Yesterday [personal profile] mallorys_camera and I went for a walk in a location more or less equidistant between the two of us (more or less... it was closer to me, though). After a couple of false starts that included infiltrating the high school bathrooms during a soccer tournament (we blended right in: "How's Dustin enjoying soccer, Sandy?" she asked me. "Oh, he's loving it, Lisa. He'll be playing for Real Madrid one day, you just wait"), we found ourselves at the entrance to the Housatonic Flats Reserve.

The gate was shut but the fairies had left a garland--our invitation.

Entrance to walk at Housatonic Flats, Great Barrington

The area used to be a dumping grounds, but people cleaned it up, and in the last days of September, it has an ethereal beauty.

Trail, Housatonic Flats, Great Barrington

Here, old man's beard climbs skyward.

old man's beard

Sadly, the Housatonic River was poisoned for decades by General Electric, which dumped PCBs into it. North of this site, in the city of Pittsfield, remediation has been undertaken, but not yet for the town of Great Barrington, where this reserve is, though any day now... As a consequence, there is this sobering warning as you begin your walk:

PCBs and the Housatonic

"No coma" is Spanish: Don't Eat. But at first I saw it as English and was very confused. No coma? Sounds good to me! I don't want or intend to fall into a coma!

I am happy to report that we ate no frogs, fish, or turtles and fell into no comas. There was a tasty green feral apple, however.
asakiyume: (feathers on the line)
I'm in this issue of Not One of Us with a piece of very short flash fiction, "Freeing .33333..."

It's ironic, maybe, to write flash about a number that goes on forever, but like the narrator, I've always been fascinated by this endlessly repeating number, and a short form is as good as a long form, I suppose, to talk about something infinite.

There are several other offerings in this issue that I loved--noteworthy among them [personal profile] sovay's poem "Fair Exchange," about what the dead want. (You know it instinctively, but Sovay expresses it--and what the dead would pay to get it--with wrenching clarity.)

The poem "Catch the Bus," by Zhihua Wang, is light, humorous--but its theme is about trying to fit yourself in to a schedule where *you* are the piece that has to change; *you* are the one that must adapt, and that's also a theme in the story "Loneliness and Other Looming Things," by Devan Barlow, whose protagonist is psychologically incapable of tolerating an "upgrade" that everyone around her has made or is making. Like someone with a rotary-dial landline phone in the era of smartphones, she's isolated, but the solution being proposed may cost her her only human connection. There's beautiful language on dreams in this story:
There was a oconstant bristle at the edge of my mind, like I had to remember to tell someone something ... At random points throughout the day, I started laughing, as if I remembered something funny. But I never had any idea what the joke was.

In "A Million Wings Moving as One," by Jay Kang Romanus, a changeling who can take and shed an infinite number of forms tries to find a sense of self. These lines struck me:
Outside, the humans drift under its window in an endless river. The changeling watches them, envying their lack of choice.

The poem "Protest" by Rebekah Postupak achieves a giddy-but-grim change of perspective for both the narrator and the reader--powerful!

The remaining two stories, "The World Has Turned a Thousand Times" by CL Hellisen and "Where Dead Men Come to Die" by Ed Teja, have startlingly contrasting settings--the stark semi-desert of South Africa's Karoo region in Hellisen's tale and the tropical humidity of the town of Koh Kong, in Cambodia's Koh Kong Province, in Teja's. Both are stories of transformations of sorts, and self-discovery.

Not One of Us is that remarkable thing in this digital world, a paper zine. Some of my favorite writers, like Patricia Russo and my dad, have published in its pages. Information on buying single issues or subscriptions and on submitting to it is available HERE.

asakiyume: (glowing grass)
Patricia Russo writes weird, wonderful things, full of heart. "The Placeholder" is a flash piece about planting a stray seed.

I love it on its own merits, and what it's saying isn't the same as what "Semper Vivens" is saying, but there are some harmonies:
What his heart wanted was to lick the leaf that was touching his lip and then bite it, chew it slowly, taste it thoroughly, swallow it, and then the next one on the stem, and the next. Even if they tasted bad. Even if they made him sick. Even if they transformed him in a way he didn’t, not yet, entirely want.

There are all kinds of other lovelinesses in this story though--the curl of your body around a cat, half-remembered lullabies--and this story is short and free to read. Enjoy!
asakiyume: (shaft of light)
I love hand-clapping games; they're such a wonderful example of truly folk transmission through the generations.

While I was visiting my friends in Leticia, two of the kids were doing one. The rhyme went

Choco, choco
la, la,
choco, choco
te, te,
choco-la
choco-te
chocolate!


You clapped sometimes with the palms of your hands and sometimes with the backs of your hands--it was great!



When I got back to MedellĂ­n, at one point Wakanomori and I passed a line of people waiting for pancakes at a pop-up pancake event. In the line was a girl who was teaching this rhyme to her dad.

Do you have any hand-clapping games you remember doing, or seeing others do, when you were younger?
asakiyume: (squirrel eye star)
April Grant runs an occasional series on her Youtube channel in which she talks about weird and wonderful true stories in and near Boston. Her most recent one was on Roger Babson (1875–1967) and his war on gravity, "our enemy number one," as he termed it.

You see, Roger Babson lost two loved ones to drowning, and of course therefore he blamed ... gravity.

In addition to founding the Gravity Research Foundation (which to this day holds a gravity-themed essay contest with a $4,000 prize--April tells us that Stephen Hawking was among past winners), Babson also founded Babson College in the Boston area and --well, I don't want to give away everything. Let's just say that the video reminded me that I want to visit Dogtown, and Tufts University's Institute of Cosmology has a truly unique graduation ritual.

Below is the embedded video, but if you go to the Youtube page, you'll find lots of fun links related to her talk, along with a transcript (but watch the video--April is such a fun presenter).

La Chimera

May. 13th, 2024 10:25 am
asakiyume: (feathers on the line)
[personal profile] mallorys_camera put me onto La Chimera, the story of a haunted English archaeologist working with a gang of small-time Italian tomb robbers (tombaroli), digging up Etruscan artifacts and selling them to Spartaco, an mysterious black-market art dealer. It was so moving--I saw it alone first (but not quite alone: I took the photo I have on my desk of Lloyd Alexander and showed him the last few minutes of it, because I knew, knew, knew that he would understand and love the ending ). Then I got [personal profile] wakanomori to watch it with me, then I put my dad onto it.

[personal profile] mallorys_camera speaks about the film beautifully here, but the line I want to seize on in what she writes is this:
Its sense of place is strong as is its sense of temporal duality, a feeling that the past is so strong, nothing is there to stop it from consuming the present.

The dead and the living are equally present. Arthur, the Englishman, is balanced between their worlds. Except actually their worlds aren't even really separate.

Things keep changing, depending on the light they're in, depending on whose hands they rest in, depending on who's just spoken, depending on the season. Tomb robbing seems, prima facie, a bad thing, but when you see the small, ancient items of daily life in the hands of the tombaroli and their friends, it doesn't feel that way. It's like the items are living again and cherished again--until a character named Italia (great name for someone speaking out about the theft of the patrimony of the country, but also ironic! Because she's from Brazil) calls direct attention to the enormity of what they're doing:
What are they going to do? Steal from the souls? ... Those things aren't made for human eyes.

And then your vision swings around to desecration, destruction. Light hits ancient paintings of birds and a sheen of something, some magic or divinity, melts away from them. Ordinary people ("they weren't all pharaohs," one of the tumbaroli points out) speak plaintively of their missing grave goods ("There was also a golden fibula ... it meant a lot to me").

It's a very sensual film. You feel the cold. You feel the wet. You feel the warmth and light. The sound of birds is always with you.

Some words that are spoken near the end of the movie, by a character who's transformed an abandoned building, really lingered with me:
It didn't belong to anyone or it belonged to everyone ... [This is] only a temporary setup. But life itself is temporary.



It's a current film, so you have to pay to see it, but it is so, so worth it.
asakiyume: (snow bunting)
[personal profile] amaebi has been posting extremely entertaining excerpts from Garden Birds of Britain and North-West Europe, by Dominic Couzens and Carl Bovis--fun in the way the descriptions of the various birds makes you think about people (but at the same time is very illuminating about the birds).

It got me thinking about the brown-headed cowbird. I spent a pleasant afternoon with a female brown-headed cowbird a few years back. She was hunting around in the grass for seeds and insects, and I was mowing the grass, but I stopped, because she was paying so very little attention to my advances. So I sat down very close and watched her, and she was fine with that. She had a pretty face (here's someone else's photo).

cowbirds are nest parasites )

I could comment on the dangers of anthropomorphism, but I mean, **I'm** anthropomorphizing here, myself, so that would be kind of hypocritical. And I think some amount of anthropomorphism is inevitable, and I feel like it's where empathy starts (and/but also judgmental thoughts). And history is full of instances where the scientific community tells us not to anthropomorphize about, say, animal grief, and then some decades later has to eat their words.

1 Ronald L. Mumme and Claire Lignac, "Living with Cowbird Nest Parasitism--and Thriving," American Ornithological Society, November 30, 2022.
asakiyume: (nevermore)
I just was enjoying a gift that someone gave me. It was wonderful, I was smiling; it brightened my morning.

But yesterday, when the gift was delivered, I had a totally different reaction, more along the lines of OMG, what?! Someone is giving me artisanal ice cream in a flavor I love, that they made themselves? Ahhhhhh, I don't have TIME for this! I can't eat ice cream now! I'm stressed out and not-hungry and anyway someone my age develops a heart condition or diabetes or at the very least puts on unwanted weight just by looking at ice cream, Aahhhhhhhhh!

--Not the way you should greet handmade ice cream in your favorite flavor. But yesterday, I was preparing to accompany Wakanomori to Logan Airport, a journey I profoundly hate (though I don't mind the actual airport part of it). The only thing worse than driving to Logan in January is driving to Logan in January in the snow--I was very grateful the trip was yesterday and not tomorrow, when snow is expected.

All this set-up is to make the breathtakingly obvious statement that your mood colors how you view things. This is more a note to self: hey Asakiyume! Your mood affects things! Yes, even you, you special snowflake! And if you find yourself stressed out by things that are actually perfectly delightful, maybe it doesn't mean suddenly you don't like ice cream anymore or are the world's most ungrateful friend. Maybe it just means that's a particularly bad moment, and you should WAIT before trying to have a reaction.

... Because I did wait (not graciously! More along the lines of I can't DEAL with this damn ice cream right now!!), and just now I really did enjoy it, completely happily, no friction.

Speaking of gifts, you know what gift some stressed-out parent would be very glad to receive right now? This tiny abandoned jacket.

asakiyume: (feathers on the line)
We went to a lookout above the Quabbin Reservoir to face east for the first day of the new year. The first light, many minutes before sunrise, lit up a crack in the baleful sky.

New Years sunrise 2024 648 (2)

As it grew lighter, the waning gibbous moon glowed brighter.

New Years  2024 gibbous moon 655 am

Wakanomori turned his back on the colors to admire the moon.

S against presunrise sky 2024 Jan 1 656 am

The sun was as discreet as a Heian lady, just the hems of her brightness peeking from beneath the clouds' screens.

New Years sunrise 2024 710 am peak pink

There was evidence fairies had been at the lookout earlier, enjoying takeout.

fairy takeout New Years morning 2024

I posted that picture on Instagram, and [personal profile] amaebi said she had her doubts about whether the L&Ms were part of the takeout. [personal profile] wakanomori agreed: he thinks fairies probably roll their own. [personal profile] amaebi suggested sweet clover and Corsican mint, which I told her was a combination I could be induced to try.

Come find me
smoking sweet clover and mint
at the lookout point
asakiyume: (Em reading)
I bought issue 296 of Interzone magazine because I wanted to read "999 Swords" by Marie Brennan, a Yoshitsune-and-Benkei story, and wow, wow, wow, it completely rewarded all my hopes and expectations. Benkei's narration of his childhood is very funny:
“I explained to [the monk] that I needed charity, since not only had my parents abandoned me but so had the monks of Hieizan. Therefore, he ought to give me his robes. To my great astonishment, he refused! I ask you – what kind of Buddhist doesn’t simply hand over his clothing to the first stranger who wants it? I reminded him about the story of Satta ƌji, who virtuously sacrificed himself to feed a hungry tiger, and of Shibi Daiƍ, who gave up some of his own flesh to keep a dove from being eaten by a hawk. He had the cheek to ask me if I thought I was a tiger or a hawk!

“At that, I knew there was only one thing for me to do. As I was now a newly minted monk, I ought to teach Shunkai to be a better and more generous Buddhist. It wasn’t hard, since I was a lot bigger than he was. I had sworn not to steal, though, so after I took his robes, I gave him my own in return. They didn’t fit him very well, and it was a little silly to see an old man like him dressed as an acolyte, but I figured that would just teach him humility.”

Super job. And then, having bought the anthology-sized zine, I tried another story whose title intrigued me, "Our Lady of the Void," by Hesper Leveret, the story of an ethnologist who's off on her first-ever trip off Earth--and into deep space!--to research the flowering, among the crews of interstellar freighters, of a new folk faith in the titular Our Lady of the Void. Delightfully, little black cats (void cats, of course) are associated with her, although if the wrong person sees a ship's void cat at the wrong time, it's bad luck. The details of a folk religion are wonderfully brought to life, and the details of the story weave together most cunningly. I especially like the blessing: "May Our Lady see you in the void."

The other truly great short story I read, which ought to be of interest to most of my friends here, is Iona Datt Sharma's Penhallow Amid Passing Things, a tale of the coast of Cornwall involving a smuggler, a revenue agent, the ebb of magic from Britain's shores, and a dangerous magical bundle. Oh, and a budding Sapphic romance between the smuggler and the agent, both of whom prompted "Do I want to be her or be with her" feelings. ... Laurels go to the revenue agent, though. My heart. The writing is gorgeous--evocative, sharp, and funny:
Smuggling in these parts is a hanging offence, but it’s taking a while for the gravity of Jackie’s situation to descend upon him. His affable face strains from the effort of exerting his intelligence ....

“There are naval men of many years’ service,” Trevelyan remarks, without greeting, “who might expound to you all day long of the great accuracy of their timepieces, and never think to change from London time.”

And if you want to know about that romance....
Without realising it until now, she’s been staring all this time at Trevelyan’s delicate, lovely hands, cupped around roses of flame.

Apparently the story was included in the anthology of underwater ballroom stories that I remember coming out some years ago. I remember that anthology had a stellar list of contributors, and if the other stories are even within shooting range of the caliber of this one, that must have been one hell of an anthology! Now, though, the story is available as a stand-alone.

Beautiful covers on both Interzone Issue 296 and Penhallow Amid Passing Things:





Other reading:
I'm also reading Betsy-Tacy, which is as charming and appealing as [personal profile] osprey_archer's review made it sound, and I continue with Samantha Nock's poetry collection, A Family of Dreamers, with each poem offering gifts.
asakiyume: (more than two)
Sometimes on Wednesday nights, I join an online writing session--you know the type of thing: everyone introduces themselves, then settles down for X amount of time for writing, then comes back together to chat about it. Usually, along with the introductions, there's some kind of icebreaker question...

CW! You are about to enter the realm of petty, competitive thoughts and resentments! )

So there you go folks! Unvarnished Asakiyume!
asakiyume: (Em reading)
I've been daunted by the idea of trying to do justice to Aster Glenn Gray's The Sleeping Soldier here on Dreamwidth. Somehow I did manage, finally, to say a few things on Goodreads, but when I think about writing a DW post, I think about saying more, or making it more personal, or something. And then I wilt. And that's a shame, because I love this book. All of AGG's books are fun, thoughtful tales, but this one really nails a central theme of hers, which is what friendship means or has meant for people at different points in time, and what romantic love means, and what sexual attraction is and how that fits in.

The scenario is that Russell, a young Civil War soldier, was cursed, Sleeping Beauty style, by a fairy, and has now awakened 100 years in his future, in 1965, where he's guided through his new life by Caleb, a miserably closeted gay college student. The story has plenty of the fun you'd expect from that setup, as Russell encounters the wonders of life in 1965--and also enlightens the college crowd about which things were, in fact, present in 1865 ("I know what ketchup is," he says haughtily at one point). But it also probes the grief and loss that would go with waking up 100 years in the future, and touches on how we understand history--or don't:
Caleb nodded. "It's hard for people to let go of their preconceived notions [about the past]."

"They don't really want my opinion on anything," Russell griped. "They just want to draft the whole nineteenth century into supporting what they think. As if we all agreed with each other! We had this whole Civil War, you might could remember."

And then there's that theme of friendship and romantic love, and what's appropriate to express and what's considered by society to be deviant at any given time. I knew some of this, but not much, and very little about how same-sex attraction has been understood. In fact, what little I know is mainly thanks to AGG's earlier stories. I'm humbled to say that her writing in this book made me understand the situation of a gay friend of mine (Caleb's contemporary) in new ways. On that note, I really love the character Michael in this story. What a good and patient friend.

I came across this in someone's Goodreads review of the book:
I felt sad because I honestly never knew how it was in the past (men being open with their affection to each other).

And this, from an Amazon reviewer:
I came out in my teens, in the Midwest in the mid-70s, and the novel captures that sense of isolation and self-discovery: reading The Charioteer, Giovanni’s Room etc. anything with gay characters while feeling like you’re the only gay person in the world and trying to figure out how you’ll make a life. I never would have expected this book to capture the profundity and comedy of this forgotten world so well.

Those comments say so eloquently what's important and special about this book.

... But past-meets-nearer-past moments were also great, honestly. I enjoyed the explanations of things like hot dogs ("Hot dogs are... um. A kind of sausage") and Russell's encounters with items such as escalators a whole lot too.
asakiyume: (bluebird)
[personal profile] rachelmanija's great review of Goddess of Yesterday (by Caroline Cooney) made me want to read it too--I did, and I enjoyed it very much. It really truly felt like the story was being told to me by a young girl from Trojan War times. I liked Anaxanadra very much, liked how observant she was, how she learned quickly and worked for her own survival, and that she took a liking to--and then felt loyalty and concern for--the various people she met.

What had absolutely pushed me from "Hmmm, cool book; maybe one day I'll read it" to "I want to read this NOW" was the example Rachel gave of Anaxanadra's wonderment on first encountering a glass container, and I was rewarded with more encounters like that (first time encountering enough of something that you need to use the word "one thousand," first time encountering horses, etc). Even just her ordinary observations had a feel of ancient Greece to them that I loved, as when she describes the sound of water slapping the side of a boat like dogs drinking, or this, describing dolphins:

Dolphins swam alongside. Now and then they would leap out of the water and spin themselves like yarn.

And then [personal profile] radiantfracture posted a poem the other day, "PahkwĂȘsikan," by the poet Samantha Nock, that made me want to read the rest of the collection, the author's debut collection. It has a gorgeous cover:

but the image is a little large, so under the cut it goes )

And now I have a copy!

Speaking of images, check out these great dusky swifts (Cypseloides senex), posted by Aves do Brasil, a bot that posts photos of birds of Brazil. Facebook says that the original photo was taken by Frodoaldo Budke.

great dusky swifts )

With those intense, deep-set eyes, and clinging to the rock face like that, they seem like a pair of heroes: loyal siblings or friends, or intense lovers, out to redress a wrong. I want to write a story with them as the heroes ... maybe in human form--but that intensity!
asakiyume: (tea time)
[personal profile] osprey_archer has been visiting, and together we embarked on an epic task: baking croissants from scratch. This truly is an epic task as you need to roll out the dough multiple times, and in between, it should rest in the fridge for eight hours (you can shorten this, but the longer the better, say the experts. Or at least one expert. This is the video we used for instruction.)

We documented the last rolling out, cutting into triangles, forming into the proper croissant shape, final rising, and emergence from the oven. All but the last two photos are below the cut.

Osprey Archer demonstrates the fine art of croissant making )

The first couple of batches that we baked, we forgot to brush with diluted egg, but we remembered for the last batch, and Oh My Goodness, how beautiful that last batch looked. If you decide to bake croissants, don't skip the egg wash!

Here they are, fresh from the oven:

croissants, baked

And here's the inside of one. Déliceu!

inside the croissant

Making croissants was one of two New Year's resolutions I had this year, so I'm very grateful that [personal profile] osprey_archer helped me fulfill it! I doubt I would have done it without her visit, and I certainly would have gone astray in following the directions correctly.
asakiyume: (Em reading)
Probably most people who read my journal also read [personal profile] sartorias, but for those who don't, or who missed it, Antiphony, the culmination of her stories set on Sartorias-deles, is out now.

This is a wonderful one, full of people finding each other, healing and growing, and getting themselves in a good place for the next great adventure, whatever that might be. It's an absorbing delight to read. You see Carl (a woman; her actual name is Mersedes Carinna), a nervous, conscientious shadow cast by a domineering mother, gradually grow into a confident person who turns an obsessive crush into ... something else. Jilo, now king of the Chwahir, also continues to grow in confidence, and it's wonderful to see Chwahirsland transforming, unfolding and blooming. Lyren, the headstrong, self-centered daughter of Liere, grows a LOT, and finds a place, a purpose, and a partner. Several of Detlev's boys also pair off, and others we see happily engaged in worthy work. Imry's storyline resolves nicely. And I can say all this and it isn't even spoilers, because the fun of the book is in how all this happens.

Probably it would be hard to pick up this book if you aren't somewhat invested in at least some of the characters--though I do believe you could read Carl's story (and then by extension, develop an interest in seeing what will happen with Lyren) even with no prior knowledge. I most certainly recommend Antiphony wholeheartedly for those of you with familiarity with the modern era of Sartorias-deles (the era of Senrid, Clair, Liere, Siamis, etc.). You can purchase it at all the usual places, and also through Book View Cafe.

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