asakiyume: (Bee Wife)
Today “The Bee Wife” is available! You can get it from all the usual suspects (Amazon, Barnes & Noble, Kobo, Apple, etc.) for 99 cents, or if you’d prefer to get it directly from me, drop me a message here or by email.

It’s the story of Florian, a beekeeper whose wife (Joy) has just died, and the swarm of bees that attempts to comfort him. Here’s what they do (this is what I read at the Mythic Delirium 25-plus-one-year anniversary reading):

Death is a law that cannot be broken )

Book cover showing a man face on and a woman in profile, with a background of mottled green.
asakiyume: (cloud snow)
[personal profile] sovay linked me to a story from 2012, "Aquatica," by MC Clark, in which a male anglerfish's effort to avoid his own biological drive and the blandishments of a female anglerfish lead to profound conversations. Really gripping story that creates a full, meaningful vision of the anglerfish life cycle--which is one of those life cycles that seems really alien from a mammalian point of view. It's easy to sympathize with the male anglerfish's desire to outrun biological determinism, but it's not merely survival he's after--as the female anglerfish points out, death comes either way--it's wanting to perceive or understand something more than just the cycle.

* * *


On the way to visit my dad on Christmas Day a small murmuration passed over our car. It was breathtaking--thinking about it makes me stop breathing. Dark bodies, wings, pale sky--a tessellating collectivity. Then on our way back later in the day, we saw bobcats in a meadow. Bobcats are so strange, if you're used to domestic cats: they're like someone has taken a domestic cat and given it extra-strong, extra muscular legs... and reduced its tail.

* * *


Saw this and wasn't sure at first whether it was a branch on the path or the shadow of a branch.

shadow or branch

(It was a shadow)
asakiyume: (Em reading)
I don't read half as much as I'd like to, but now and then things spur me to read something and then wow! Amazed and delighted.

The first is a novelette in the December 2024 issue of Clarkesworld: "Lucie Loves Neutrons and the Good Samarium," by Thoraiya Dyer. It's an intimate story about a lesbian couple, Lucie and Izzy, both scientists (respectively from Tahiti and Australia, but living in France), and Miron Król, the Polish astronaut who fathers their baby. A nuclear war is going on in Europe, and where they live is dangerous because of its proximity to a research reactor (a research reactor that Izzy uses, in fact), and Izzy is nearly breaking from the mental strain:
In that moment, alerts [of possible nuclear strike] go off on their phones, and Izzy is overwhelmed. A new life has come into the world, Izzy and Lucie have just met their beautiful baby, and there is a fucking amber alert yet again, threatening to take everything away.

Izzy throws her phone at the wall.

“I can’t take this,” she screams. “Why can’t anybody make it stop?” She knows she shouldn’t be the one losing control. Lucie has just given birth ...

“Izzy,” Lucie says softly. “Izzy, I’ll make it stop. For you, and for Luc, I’ll make it stop. I promise. Now, forget about that. Come here, and kiss your child. It’s his birthday.”

And then Lucie does.

She does it. I don't think that's a spoiler because the drama of the novelette is not the in if, it's in the how, the many small moments, some funny, some painful, some joyous, as the characters live life, do their various researches ... and Lucie comes closer and closer to being able to keep her promise. Now there's a case of writing the change you want to see in the world! From Thoraiya Dyer's imagination to reality, please!

The second is probably also a novelette--it's "The Speech That God Understands," by Jonathan Edelstein, from the April 4, 2024, issue of Beneath Ceaseless Skies. This one takes place in 1194, in an alternative Tuluz, where Muslims, Christians, and Jews live and work together, where magic and science exist side by side, and Avram the Blind, a Kabbalistic magician, and Maryam of Wadan, a Berber scientist and a nonbeliever in any religion, join forces to deal with spreading incidences of people having their ability to speak scholarly languages essentially knocked out of them--they lose their Arabic, their Latin, their Hebrew and are left with their vernacular tongues only. But it's not just a physical brain injury, there's magic involved.

There's *so* much richness in this--Avram's summoning of various sefirot, the depiction of the hurly-burly of the city, and the discussion of language, translation, and reading--just great. I can share these beautiful lines from the end without spoiling anything:

From the silence, [Avram] conjured a vision of what Maryam might see if she found her reading-stone, a mental image of the night sky of Yetzirah. Who was it who’d said there were many more stars in heaven than human eyes could see? One of the Persian philosophers, or one of their poets? Did it even make a difference?

Those stars, as much as the sefirot, were outpourings of the divine, and messages were surely written in them. Isaac wondered what language those scriptures would follow. Or maybe they would be like the speech of the crickets, written in no language at all.

It didn’t matter, he decided. God would know them even so.
asakiyume: (feathers on the line)
I'm in this issue of Not One of Us with a piece of very short flash fiction, "Freeing .33333..."

It's ironic, maybe, to write flash about a number that goes on forever, but like the narrator, I've always been fascinated by this endlessly repeating number, and a short form is as good as a long form, I suppose, to talk about something infinite.

There are several other offerings in this issue that I loved--noteworthy among them [personal profile] sovay's poem "Fair Exchange," about what the dead want. (You know it instinctively, but Sovay expresses it--and what the dead would pay to get it--with wrenching clarity.)

The poem "Catch the Bus," by Zhihua Wang, is light, humorous--but its theme is about trying to fit yourself in to a schedule where *you* are the piece that has to change; *you* are the one that must adapt, and that's also a theme in the story "Loneliness and Other Looming Things," by Devan Barlow, whose protagonist is psychologically incapable of tolerating an "upgrade" that everyone around her has made or is making. Like someone with a rotary-dial landline phone in the era of smartphones, she's isolated, but the solution being proposed may cost her her only human connection. There's beautiful language on dreams in this story:
There was a oconstant bristle at the edge of my mind, like I had to remember to tell someone something ... At random points throughout the day, I started laughing, as if I remembered something funny. But I never had any idea what the joke was.

In "A Million Wings Moving as One," by Jay Kang Romanus, a changeling who can take and shed an infinite number of forms tries to find a sense of self. These lines struck me:
Outside, the humans drift under its window in an endless river. The changeling watches them, envying their lack of choice.

The poem "Protest" by Rebekah Postupak achieves a giddy-but-grim change of perspective for both the narrator and the reader--powerful!

The remaining two stories, "The World Has Turned a Thousand Times" by CL Hellisen and "Where Dead Men Come to Die" by Ed Teja, have startlingly contrasting settings--the stark semi-desert of South Africa's Karoo region in Hellisen's tale and the tropical humidity of the town of Koh Kong, in Cambodia's Koh Kong Province, in Teja's. Both are stories of transformations of sorts, and self-discovery.

Not One of Us is that remarkable thing in this digital world, a paper zine. Some of my favorite writers, like Patricia Russo and my dad, have published in its pages. Information on buying single issues or subscriptions and on submitting to it is available HERE.

asakiyume: (yaksa)
I'm slowly getting ready to self-publish a longish short story, "The Bee Wife," about a bereaved beekeeper and the swarm of bees that loves him. I've made some cover art for it. Let me show you in four steps, broadening out to the whole picture:

Step 1:



Step 2:



Step 3:



Step 4--the complete image:



It may still be a while before it's out in the world, but I hope when the time comes, people will enjoy Florian, his many children, and his bee wife.
asakiyume: (squirrel eye star)
Quick! Before the day closes.

"Where Oaken Hearts Do Gather," by Sarah Pinsker (Uncanny March–April 2021)

I came to this via [personal profile] purlewe (thank you!) It's done as posts on LyricSplainer, a site for talking about folksongs--in this case, the folksong "Where Oaken Hearts Do Gather," which has many variants (of course), across all of which a man's literal heart is taken out and replaced with an acorn... Dr. Rydell wrote a paper about it back in 2002 and posted more about it on his blog, was even investigating a town that might have been the site of the original story ... but then he seems to have disappeared from the world of scholarship and the interwebs. So reports Henry Martyn, one of the commenters on LyricSplainer, who is following in Dr. Rydell's footsteps ... though one of the other commenters remarks that Henry Martyn's own last post to the site seems to have been a couple of years ago...

I enjoyed all the fun ballad-adjacent handles the LyricSplainer site users had, like Rhiannononymous, BarrowBoy, and BonnieLass67. Also, the author Sarah Pinsker is also a singer-songwriter, and among the links to [fictional] versions of "Where Oaken Hearts Do Gather" by groups like Steeleye Span and the Decemberists, there's one actual live link to a version by a group called Moby K. Dick. Nice touch, Ms. Pinsker. If you enjoy folksongs and all the paraphernalia surrounding them, this is a story for you. All you folks who were reviewing Ellis Peter’s Black is the Colour of My True-Love’s Heart, if you haven't read this already, give it a try!

"Letters From Mt. Monroe Elementary, Third Grade," by Sarah Pauling (Diabolical Plots 3 September 2024)

Beginning in 1967, "a mere five years after Beacon Day," when Earth first received notice that a generation ship was heading its way from a faraway star, kids in an elementary school in Michigan have been writing letters to the Pilgrims, as the aliens are known. The letters extend to 2024 (the Pilgrims aren't due to arrive until 2090), and it's funny and touching to see the various preoccupations and stances of the children over time--also fun to see younger siblings appearing. One third-grader from 1967 later becomes the class teacher. One child describes a book she found in her mom's car that features a romance between a Pilgrim and a woman whose evil husband is trying to take over her ranch:
she was out riding her horse and when they started kissing all the rain turned into space diamonds that let them read each other’s minds. Do you think that will happen a lot when you get here?

But maybe most touching of all is the fact that in spite of the suspiciousness of some of the kids' letters, the framing of the story is such that we understand the coming of this generation ship has NOT been met with an all-out scramble of military preparedness. The assertion, never directly articulated, that we might--just possibly--welcome an alien generation ship is a beautiful statement of faith in humanity.

"A Theory of Missing Affections," by Renan Bernardo (Clarkesworld, September 2024)

Vanessa Fogg put me onto this story when she described it as a "fascinating story that considers big questions and ideas." The author describes it as "a tale about two sisters separated by distance, by their conflicting views on life, and by the devices left by an extinct alien species." One sister is into scientific investigation of the aliens; the other is an adherent of a religion that worships them as gods. The story is told from the first sister's perspective, and I confess I was waiting with bated irritation to see what was going to happen. But the author neatly dodged a facile ending, coming up with one that was emotionally satisfying. Similarly, the extinct aliens, who we're initially told "cherished torture" evolve in our consciousness as the viewpoint sister comes to understand them better. It's a carefully built story--nicely done.
asakiyume: (Iowa Girl)
It's a choose-your-own post ;-)

made-up story )

true story )
asakiyume: (glowing grass)
Patricia Russo writes weird, wonderful things, full of heart. "The Placeholder" is a flash piece about planting a stray seed.

I love it on its own merits, and what it's saying isn't the same as what "Semper Vivens" is saying, but there are some harmonies:
What his heart wanted was to lick the leaf that was touching his lip and then bite it, chew it slowly, taste it thoroughly, swallow it, and then the next one on the stem, and the next. Even if they tasted bad. Even if they made him sick. Even if they transformed him in a way he didn’t, not yet, entirely want.

There are all kinds of other lovelinesses in this story though--the curl of your body around a cat, half-remembered lullabies--and this story is short and free to read. Enjoy!
asakiyume: (shaft of light)
I am back from my holiday, and will have many things to share, but while I was gone, my Amazon/Annihilation story "Semper Vivens" slipped into the world, so that's what I'm going to talk about first.

It's in Andromeda Spaceways Magazine issue 95, and behold, the cover is an illustration for it!



A terraforming disaster, tragic cultists, and frustrated researchers collide...

Twenty-five years ago, catastrophic failure in a seeder ship’s systems had resulted in its entire cargo of LifeMatrix being dumped in a coastal zone at equatorial latitudes on R-220’s eastern continent. Instead of R-220 receiving stepped atmospheric seeding over a ten-year period, the disaster zone received the entire payload in a matter of minutes, resulting in the chaotic cauldron of life visible on the research hub’s screens.

Twenty years ago, Vida Eterna adherents landed a ship in the disaster zone, intent on “achieving unity with Pure Life,” or, as most people would see it, intent on embracing a gruesome death. They succeeded. Their DNA was now part of the bubbling soup down there.

The zine is pay-only, and the price looks hefty, but it's Australian dollars! So I hope some of you give it a try, because I crave readers! (I don't yet have my own copy of the zine, but I'm supposed to get one at some point.)

🌿You can buy it here!🌿


Note: it can look like your only choices are to pay for a single issue with Apple Pay, or to buy a subscription, but that's not the case. Here's what you do:

(1) Choose a format that you'd like to receive the issue of the magazine in.
(2) Instead of clicking on what appears to be the only pay option, Apple Pay, go to "Cart" which is on the right on the banner at the top of the web page (before "Members").
(3) Clicking on "Cart" takes you to a page with Paypal and credit cards purchase methods.

feedback

Mar. 28th, 2024 03:48 pm
asakiyume: (Em reading)
I got a story rejection, and the editor said if I wanted feedback, he could give it--because he was always bummed to send stories in someplace and then just get a no--but he didn't want to force it on me if I didn't want it.

My first instinct was to say thanks-very-much-but-no-thanks, but then I thought, What the heck? This is a story that has had only three readers--or rather, only three readers who talked to me about it (it's been out on submission to other places and gotten form rejections). Here's a reader--and an editor, to boot!--offering his reaction. Why not find out what he thinks? So I said yes, please, and thanked him for the generous offer.

And I was quite pleased, because he said he loved the characters and the pacing and the plot, just not the ending. He didn't like how the ending just ... happened... how things could have ended some other way, but happened to end this way, how close to much-worse it was, and yet it didn't end with everything fixed, either. He wanted a little more, he said.

And that kind of pleased me too, because the thoughts he had, the feelings he had, were exactly what I wanted to leave a reader with--so, yay! I did the thing! But boo, too, because it was an experience that was dissatisfying for him. I'll muse on that a bit.

Sometimes you can try to bake a cake and you forget baking powder, and it comes out like a brick. Then, if someone tells you, "If you add baking powder, this will be much more light," you can do it, and yay! Proper cake.

Other times you make a cake--let's say a lemon cake--and the person says, "this is a great cake, but it's lemon flavored, and I prefer cakes that are chocolate or vanilla flavored." Then your question is, does all the world prefer chocolate and vanilla, or are there lemon-cake fans out there?

To continue talking in metaphor-eeze, I hope someone out there will like lemon cake and will decide to serve it up for people to eat, and that there will be many happy eaters of lemon cake. One day!
asakiyume: (turnip lantern)
I read this sweet, weird, hilarious story yesterday, and now I want to become a traveling doctor, using this story as my patent medicine. "Lifts moods and births laughter, guaranteed to leave you feeling better than you started." It's "A Turtle in Love, Singing," by Tara Campbell, in Bourbon Penn, a new-to-me zine.

The story is in the form of police reports from the hapless Green Lake Police, who deal with a string of odd encounters, beginning with a disgruntled pelican or perhaps pelicans, sighted near the public restrooms in the southeast area of the lake. This is followed by the discovery of a patch of carnivorous plants resembling Audrey from "The Little Shop of Horrors" and then a lion leaning against a naked woman, and it goes on.

One of the charming things in these reports is how the police always advise residents to leave the oddities alone and/or just give them their space--for example, regarding the lion and the woman:
To repeat: no one has been harmed, no one appears to be in danger. Citizens are advised to stay clear and just let them have their moment. There is no need to keep calling the Green Lake Police about this unless the situation changes.

At one point the Green Lake Police receive "reports of a rainbow pegasus unicorn in the vicinity of the Bathhouse Theater." However ...
Officers sent to investigate were only mildly disappointed to find that the intriguingly improbable creature was, in fact, not a pegasus, nor a unicorn, but an inflatable personal raft floating on the lake. Officers did report, however, that the rainbow description only applied to certain sections of the floatation device, and on the whole, the design was a rather more pink-forward affair.

An encounter with a seven-foot raven prompts introspection and an apology for cultural insensitivity:
Here the desk officer might have overstepped a bit by bringing Raven’s trickster reputation into the discussion, even if simply to deny that it played a role. Green Lake Police leadership has taken note of our insufficient protocols for working with mythical members of the public. Green Lake Police leadership hopes that this can be a teachable moment, and promises that new protocols will be crafted at the regional level, in conjunction with tribal representatives, who would likely have used a more appropriate word than “mythical” in this alert.

All the unusual beings encountered end up interweaving and connecting in satisfying ways, with the turtle in love, singing, representing a pleasing culmination.

Enjoy!
asakiyume: (Em reading)
I read a novella and a short story recently, and I've been thinking about them and about stories and how we tell them, what we tell, etc. The novella was Iona Datt Sharma's Division Bells; super highly recommended. Love develops between two bureaucrats who are working for a minister in the UK's House of Lords. They're working on legislation, and the minutiae of that and of trying to work for good things in real life, within flawed systems, weaves together perfectly with their personal stories. It's sharply funny but also powerfully moving; it had me in tears a couple of times. But it's never lugubrious or self indulgent--it's never milking the moment. And the humor always comes in when you need it.

Most amazing of all for me, the story had what in my family we always called the Hollywood Betrayal, but what in romance fiction I've come to realize is called the dark moment, that was the complete opposite of what that plot twist usually is for me. Usually, for me, dark moments are an awful experience on a spectrum from frustrating to infuriating, a waste of time, manufactured tension to delay the inevitable. I really dislike dark moments.

But in this story, the dark moment was the culmination of one character achieving true growth, and it led the other character to see how shut down he's become through exhaustion and grief. It was remarkable. It made both characters better, it was dramatic, and it moved the story along in a believable and necessary way.

Truly floored me.

The other thing I read was "Falling Action in Hoboken," a short story by Lucy Tan in the Sun, which a friend got me a subscription to this Christmas. I wanted an excuse to try literary short stories someplace that wasn't the New Yorker, so the subscription is great. And the story was good: it wasn't as world-weary and unpleasant as some of the New Yorker stories I've tried have been. The writing was good, the characters interesting... It's what critics like to call "finely observed."

However (however however however): it was set in New York. *sigh* Okay. Fine. The viewpoint character is something of a cynic, relationship phobic, sure she's going to live alone all her life and basically fine with that. She picks up a guy she and a friend have been mocking at a distance, the sort of guy who reads Rumi at a bar. They think he's a poseur, but it turns out he's genuine. His family has a farm in Michigan. [This set-up seems a little trite. Wholesome farm boy? Really?] So they get involved for-real for-real, and then stuff happens. Every step of the way feels predictable in its generalities without being predictable in the specifics. It ends in a manner that's true to the story.

And I thought to myself, this is an all-right, not-bad story. I read it with interest; I admired the writing.

It's so distanced, though. Is that part of what makes something feel lit-fic-y instead of genre-y? Is lit-fic these days relationship phobic? Is it afraid of being mistaken as a poseur who wants to be seen reading Rumi in a bar?

In the story, the narrator thinks,
I don't trust Matt's easy, expectant attitude. To live like he does is begging for disaster. It's disconnected from reality. But there is also a part of me that wants to see what he sees, that believes a life with him could make me, if not wholesome, then some other kind of whole.

I feel like that fear and wish applies to a lot of lit fic. It craves grandeur but mistrusts it.

LOL, but what do I really know?! Not much!
asakiyume: (Em reading)
I bought issue 296 of Interzone magazine because I wanted to read "999 Swords" by Marie Brennan, a Yoshitsune-and-Benkei story, and wow, wow, wow, it completely rewarded all my hopes and expectations. Benkei's narration of his childhood is very funny:
“I explained to [the monk] that I needed charity, since not only had my parents abandoned me but so had the monks of Hieizan. Therefore, he ought to give me his robes. To my great astonishment, he refused! I ask you – what kind of Buddhist doesn’t simply hand over his clothing to the first stranger who wants it? I reminded him about the story of Satta Ōji, who virtuously sacrificed himself to feed a hungry tiger, and of Shibi Daiō, who gave up some of his own flesh to keep a dove from being eaten by a hawk. He had the cheek to ask me if I thought I was a tiger or a hawk!

“At that, I knew there was only one thing for me to do. As I was now a newly minted monk, I ought to teach Shunkai to be a better and more generous Buddhist. It wasn’t hard, since I was a lot bigger than he was. I had sworn not to steal, though, so after I took his robes, I gave him my own in return. They didn’t fit him very well, and it was a little silly to see an old man like him dressed as an acolyte, but I figured that would just teach him humility.”

Super job. And then, having bought the anthology-sized zine, I tried another story whose title intrigued me, "Our Lady of the Void," by Hesper Leveret, the story of an ethnologist who's off on her first-ever trip off Earth--and into deep space!--to research the flowering, among the crews of interstellar freighters, of a new folk faith in the titular Our Lady of the Void. Delightfully, little black cats (void cats, of course) are associated with her, although if the wrong person sees a ship's void cat at the wrong time, it's bad luck. The details of a folk religion are wonderfully brought to life, and the details of the story weave together most cunningly. I especially like the blessing: "May Our Lady see you in the void."

The other truly great short story I read, which ought to be of interest to most of my friends here, is Iona Datt Sharma's Penhallow Amid Passing Things, a tale of the coast of Cornwall involving a smuggler, a revenue agent, the ebb of magic from Britain's shores, and a dangerous magical bundle. Oh, and a budding Sapphic romance between the smuggler and the agent, both of whom prompted "Do I want to be her or be with her" feelings. ... Laurels go to the revenue agent, though. My heart. The writing is gorgeous--evocative, sharp, and funny:
Smuggling in these parts is a hanging offence, but it’s taking a while for the gravity of Jackie’s situation to descend upon him. His affable face strains from the effort of exerting his intelligence ....

“There are naval men of many years’ service,” Trevelyan remarks, without greeting, “who might expound to you all day long of the great accuracy of their timepieces, and never think to change from London time.”

And if you want to know about that romance....
Without realising it until now, she’s been staring all this time at Trevelyan’s delicate, lovely hands, cupped around roses of flame.

Apparently the story was included in the anthology of underwater ballroom stories that I remember coming out some years ago. I remember that anthology had a stellar list of contributors, and if the other stories are even within shooting range of the caliber of this one, that must have been one hell of an anthology! Now, though, the story is available as a stand-alone.

Beautiful covers on both Interzone Issue 296 and Penhallow Amid Passing Things:





Other reading:
I'm also reading Betsy-Tacy, which is as charming and appealing as [personal profile] osprey_archer's review made it sound, and I continue with Samantha Nock's poetry collection, A Family of Dreamers, with each poem offering gifts.
asakiyume: (Em reading)
This week Mike Allen's Mythic Delirium Press published Like Smoke, Like Light, a collection of short stories by Yukimi Ogawa. Yukimi Ogawa is remarkable: she lives in Tokyo and doesn't feel hugely confident speaking English, but she writes in English, and her stories are imaginative, surprising, and memorable. She's been published in Clarkesworld, The Magazine of Fantasy and Science Fiction, Strange Horizons, and, back in the day, Mythic Delirium--among others.

There are more or less three types of stories. First, there are yōkai tales, that is, stories in which traditional Japanese monsters or creepy beings are main characters. Although the yōkai comes from folklore, the stories Yukimi puts them in are completely new. In talking about the yōkai tales with Mike Allen, she says, "I try to not be too inventive about yokai because they are traditional to our culture, but not be restricted by the folklore too much either. The balance is important, but difficult to keep!" (The rest of the interview is here.)

Second, there are her tales set on an unnamed island where people's skins are patterned and colored in unusual ways. Several of these stories feature Kikiro, a member of the stigmatized underclass of people born without dramatic coloring or a pattern. She's something of a detective, and her investigations reveal things about the society (but also about personal relationships). All the colorful-island stories touch on issues of status, exploitation, discrimination, dignity, trust, and loyalty.

And then there are some stories that don't fall into either of those two categories. In one, a girl's opal blood can be used as a narcotic--or to heal people. In another a woman steals beautiful parts of other people's anatomies to keep herself attractive, always making sure to leave them with something in return, and in another, a caretaking AI gets increasingly fed up with human idiosyncrasies.

Here's what I said at the end of my introduction:
Good science fiction and fantasy stories remind us that other worlds are possible—better ones … and worse ones. They give us space and time to think about how we really feel about tricky questions—like what makes a monster. Yukimi shows us over and over that true monstrosity has nothing to do with appearance and everything to do with one’s treatment of others. Her stories are full of monsters—but the monsters are not skeletons, severed heads, or creatures with eyes on their arms. Similarly, she presents us with a beautiful palette of types of love and family: we have only to accept them in the forms they choose to wear.

Needless to say, I recommend the collection! You can find ways to buy it at the bottom of the page here.

asakiyume: created by the ninja girl (Default)
If the three stories I've read so far are any indication, this issue of Clarkesworld is crackerjack, but the story that's really blown me away is "Embracing the Movement," by Cristina Jurado, translated by Sue Burke (who writes a little about her process here).

It's the story of a powerful, intelligent collective alien species trying, with increasing frustration, to communicate with a lone explorer who, as described and seen by the aliens, reads very human. The communication issues and disjunction between the lone "sister sojourner" and the alien collective reminds me of China Miéville's Embassytown.
Most beings who detect our presence shy away, fearing the reach of our offensive capacity: the destructive power of our attack system is legendary throughout the galaxy. And yet you drew near in your mediocre artifact and initiated an amazing dance.

The aliens invite (detain?) our lone sister sojourner for a visit and attempt to show her their grandeur:
Few have visited our refuge: consider yourself regaled.

We find out plenty about the aliens as they do their regaling. For example. . .
Despite our reputation, I assure you we are sensitive. How else could we have prospered if not by caring for each of our sisters? The union of our swarm is only possible through the concern and attention with which we treat every one of our members

But then too...
We are the sentries of our hives, porters of justice, and exterminators of hideous, pillaging, corrupt, squandering vermin.

Our morality is impeccable, although that may be hard to see except from our viewpoint.

The aliens describe their communication method--patterns and formations:
If anger inundates us, we compose an undulating surface, a flowing liquid force that manifests itself as breaking waves and even as tides. At times sadness possesses us, and our organisms pulsate in a fractal of fluorescent scales.

If you would like to see how this first-contact ends, click on the link at the top of the entry, or, what the hell, here it is again.

So far I've also read two other stories, also worthy of your time:

Yukimi Ogawa, "The Shroud for the Mourners."
In a society stratified by body patterns and colors, as well as andoid/non-android status, a mysterious medical condition has arisen. The solution to this mystery involves honoring personhood and the dead, and finding ways to make society a little more humane.

Jiang Bo (trans. Andy Dudak), "Face Changing," a cat-and-mouse story in which financial police officer Xu Haifeng is always one step behind cybercriminal Huang Huali. You may, like me, be a little exasperated by Xu's unjustified self-confidence and dubious decisions, but the financial cybercrime aspect and the dystopic all-present state was very interesting to me (LOL), and I found the end very satisfying.
asakiyume: (Em reading)
"The Curious Case of the Cave Salamander," by Gwen C. Katz, in the February 2021 issue of Utopia Science Fiction

In this absolutely delightful, funny, and clever story, scientist Jen has discovered** a new species of tiny salamander, and it's completely adorable:
The internet did indeed love the ostolotl. The six-inch salamander had enormous round eyes, a mouth like a puppy, fluorescent blue stripes, and fluffy gills sprouting from the sides of its face. There was fan art. There were uwu ostolotl memes. By the time Pseudonecturus ostolotli was formally described, there was a movie in the works.

Well if that isn't an invitation to produce some fan art, I don't know what is. Behold my version of Pseudonecturus ostolotli

fan art for Gwen Katz's story "The Curious Case of the Cave Salamander"

The movie in the works is called Full Throttle Ostolotl:

fan art for Gwen Katz's story "The Curious Case of the Cave Salamander"

But Jen doesn't just have an adorable new species of salamander, she also has a morose grad student with whom she commiserates about their funding: "Unless we plan to fund this lab on Patreon, we need to get some non-meme-based science done." And at home, she's got Madison, the prickly eight-year-old daughter of Kira, Jen's roommate from their college days. Kira and Madison came to stay after Kira's marriage fell apart, and now the three of them are tentatively becoming a family--but it's not easy when Madison is still angry at having to uproot her life. She's also sharp as a tack and asks good questions. When Kira says Jen won't like the headline about the new salamander ("Northwestern University Research Team Discovers New Species of Cave Salamander"), Madison asks what's so bad about it:
"[The salamander is] new to us. But the people who live there have known about it for thousands of years. They have their own name for it: ostolotl."

"So what should it say?" asked Madison.

Jen considered. "How about 'Cave Salamander Discovers Northwestern Research Team'?"

But soon the police require Jen's herpetological expertise for entirely other reasons: a security guard turns up dead in standing water in a YMCA basement, his chest crushed and his body covered in slime. Uh-oh!

In addition to being funny and all-around charming, the story touches on the issue of exploitation of wild animals, responsible pet ownership, and other things I can't mention because spoilers. Also, Kira is nonbinary, and that's handled completely naturally.

To read the story you need to buy the magazine, but it's worth it for this story alone (and it contains several other intriguing ones, as well as poetry and artwork).

PS: the author has also written a YA novel, Among the Red Stars, about an all-female Soviet aviation team during World War II. There's also a gallery of the author's own amazing art depicting characters in the story.
asakiyume: (Em reading)
I've read some really great short-form (or medium-form) fiction recently.

  • "Fanfiction for a Grimdark Universe" (Vanessa Fogg, in Translunar Travelers Lounge [free])
  • "How to Defeat Gravity and Achieve Escape Velocity' (Miyuki Jane Pinckard, on Julia Rios's Patreon [free; accessible to all])
  • The Badger’s Digestion; or The First First-Hand Description of Deneskan Beastcraft by An Aouwan Researcher" (Malka Older, in Constelación [requires a purchase])
  • "Imila" (Vania Curidor, in Constelación [requires a purchase])
  • "The Epic of Sakina" (Shari Paul, in FIYAH [requires a purchase, or can be read/heard in two parts from Podcastle for free])
  • "Survival Lies" (Irette Patterson, in FIYAH [requires a purchase])


Read more... )

Enjoy!
asakiyume: created by the ninja girl (Default)
This fabulous short story in Strange Horizons contrasts the personhood-under-the-law of corporations and rivers, and it is beautiful. It's also very short; you can read it in probably five or ten minutes--or you can listen to it (link). A few selected quotes:
Try convincing a corporation it isn’t a person now, see how far it gets you. There’s whining and litigation and they slouch down the street after you, cat-calling. “Look at me, bitch! I’m talking to you!”

...

We made the corporations people, but then we did the same to the rivers.
-------

It was a way of fighting back. It was the best thing we ever did.

...

When we made the corporations people, we made them like us. We taught them want, we taught them privilege and power.

When we made the rivers people, all we had left to teach was self-preservation.

...

There’s blood in our veins, but most of blood is water. Rivers run through our veins more than balance sheets ever did.

The end is exultant--when I read the story to Wakanomori, he cheered.
asakiyume: (Dunhuang Buddha)
As the translator of this Japanese short story says in the tweet that brought it to my attention, "I won't blame you for not knowing you needed an Olympics ghost story in your life, but at least now you do." (source)

It begins promisingly...
I was ever so keen to visit the Aran Islands, but unfortunately, I died before ever making it out of Japan.

And continues that way!
And yet. In the months just prior to my death the idea had been mooted among the members of the neighbourhood association to go away on holiday. Over cups of tea after our weekly meeting, the vice-chair Mr Nakarai had let slip that he’d never been overseas, and then, one after another, all the other members of the group had begun to chime in, saying: ‘Me neither!’ ‘Oh, me neither!’ ‘No, I’ve never been abroad either.’ My voice had been among them. In that case, it was suggested, those of us who’d never once left the country should go along to a travel agency, organize a tour guide to accompany us, and take a yokels-abroad sort of vacation. We would go to some place that was the furthest imaginable from Japan. Doubtless the trip would completely wear us out, but we were all of the same generation, and if being abroad for the first time would wear us out to a similar degree, then at least we could be worn out freely and openly, just as our hearts desired. We could embarrass ourselves thoroughly and find it all too much, knowing that we were in good company ...

In the end, we settled on the Aran Islands in Ireland, on the basis they seemed peaceful, and thus probably well-suited to a bunch of pensioners like us.

Apparently my desire to go to the Aran Islands was even greater than I thought, because I was unable to proceed smoothly to the next life, and ended up instead stopping in this world as a ghost.

What follows are the adventures of Mr. Mita figuring out how to accomplish his purpose--visiting the Aran Islands, so he can depart this life--despite being a ghost. The story's called "A Ghost in Brazil," so you know it's going to take interesting turns.

And the guy's **voice** is just very amusing, very dry in a way that reminds me of Martha Wells's Murderbot.

It's free to read at the Granta website here. If you enjoy it, come and tell me which parts you like best.
asakiyume: (Em reading)
A short, wonderful tale by Marissa Lingen, "Every Tiny Tooth and Claw," in Beneath Ceaseless Skies. (I read it, but it's also their audio feature.) It's an epistolary story (yay!), a correspondence between two academics in magical fields (yay!) in a time of political upheaval. They have to be careful of what they say, and reading between the lines of their messages is totally my jam. And/but also, all the details are just charming and wonderful:

In any case, Yudit and I got reacquainted with each other quite cordially, and then she had some fascinating news about the thaumistic properties of stockinged clothed mole rats in Singer and Worritch’s latest paper. Well. Fascinating to me—you might not have known that clothed mole rats are the nearest known cousin of my beloved hurtling dormice. Well, they are, and this latest finding may shed some light on the obfuscation abilities of both. I shall write to Singer about it. Worritch has never much liked me.


It's a delight all the way through--you can read it here.

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