asakiyume: (Em reading)
The story won me over. I found myself caring very much about the power struggle between Future!Thailand's Ministry of Trade, which is eager to dance with the devil--the devil being the calorie companies, multinational Future!Monsantos that hold the world's perpetually famine-ready population hostage with their sterile seeds and their genetically engineered plagues--and the "white shirts" of Ministry of the Environment, which is sworn to protect the country from the same. In particular, I became a fan of Jaidee, an idealistic white-shirt captain, and his protégé Kanya. As Little Springtime pointed out, those two were the ones whose moral dilemmas were most complex.

Read more... )

In the end, I was won over by the worldbuilding, the intricate and (for me) satisfying plotting, and Jaidee and Kanya's storyline. The stereotyping that had incensed me at first seemed to grow less as time went on and we moved from generalizations about characters to particulars, but it's also true that I was willing to put up with Jaidee's name-checking kamma and Emiko saying "Anderson-sama" and the many many ways of saying "foreign devil" because I was so absorbed in the plot. I'm definitely not trying to change people's opinions of it; all I'm doing here is explaining how it came to pass that I ended up feeling differently.


asakiyume: (Em reading)
Some years ago I read Ship Breaker, by Paolo Bacigalupi. I really loved it. When I talked enthusiastically about it to people, though, I found that many had been burned by their experience with The Windup Girl.

Well *now* I'm reading The Windup Girl, as a mother-daughter reading club experience (this is with Little Springtime; next I'll read Ancillary Sword, which I'm going to read with the ninja girl), and I can see where all the hackles and suspicion came from.

The Windup Girl certainly is giving us stuff to talk over, that's for sure. Some stuff has been so glaring that it almost has CRITICIZE ME pasted on its back--rape scenes, for instance. Other stuff is annoying to the two of us but maybe not so much to other readers, like the way in which non-English words are deployed, and which ones (actually, that leads into a more substantive criticism, but I'll save that for when I finish the book).

Even as we're criticizing elements, we can be enjoying or admiring other things, though. We've been greeting each other with things like "Careful not to run into any Japanese gene-hack weevil today" and "Seen any cibiscosis or blister rust this morning?" because Japanese gene-hack weevil, cibiscosis, and blister rust--three types of plague--get mentioned like every page in Windup Girl. And yet, truth is, I'm super impressed by Bacigalupi's imagining of future plagues and his feel for agribusiness names for crop strains and disease strains. It's very immersive worldbuilding.

More when I've finished.


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