asakiyume: created by the ninja girl (wanderer)
One thing that really struck me about Ahmad's answers to my interview questions was how similar his journey to publication was to that of people I know here in the United States--being a vigorous fan, joining writing groups, participating in NaNoWriMo, going through the pain of rejection, and then at last publication--in his case, with a new small press. But I'll let him speak for himself:

You are a student. What are you studying? Will you pursue work in the field when you graduate? Or go on to postgraduate studies? Or are you contemplating something entirely different?

I’m currently taking a master program in forest and wood technology. For a long time, I’ve been aiming to work in ministry of forestry, or CIFOR, or WWF, or other NGOs. I like forestry, environmental science, and I want to write more on the science of ecology and natural resources.

You're also a writer. How old were you when you began writing? How have balanced the demands of your studies with the demands of your writing life?

I was . . . I don’t know. 16 and 17? It’s probably around high school, right when LiveJournal started becoming a trend in my country, and Facebook begun replacing Friendster and Myspace. It was a chaotic, but totally interesting time. I started by writing my daily activities, blogging, you know, and straight into fanfiction when I graduated high school (the last Harry Potter movie was approaching, and all HP fans were. . . I don’t know, in frenzy? Making incredible fan arts, fanfics, stories, theories, and everything else. It was a great period. I feel fortunate enough being able to participate in all of those awesomeness).

Balancing demands of my study and writing life is actually a bit difficult. I manage by trying to be able to write anywhere I am. I started using my phone to write. I write in notebooks, in classes, in commuters, buses. I write before I sleep, after I’ve finished my homework.

What writers and works have had the biggest influence on your writing?

J.K. Rowling is the first. She literally introduced me into the fantasy genre. And I also learned a lot from her, on how building plot, mystery, thriller, and so many more. Orson Scott Card’s Ender’s Game introduced me to science fiction.

Stephen King and Neil Gaiman taught me a lot on how to use poetical, lyrical, dreamlike plot and narrative in a story. Their description and narration is top notch. Lovecraft and Junji Ito showed me how to make a twisted horror even more twisted. And so many more.

What novels or short stories did you particularly enjoy in 2014?

Bird Box by Josh Malerman is probably the best Lovecraftian horror story I’ve ever read. The Shadow King by Jo Marchant is just amazing--one of the best nonfiction books I’ve ever read, second only to How to Think like Sherlock Holmes by Maria Konnikova. Stories, a short-fiction anthology by Neil Gaiman and Al Sarrantonio, is great, with my favourites being "Wildfire in Manhattan" by Joanne Harris and "Juvenal Nyx" by Walter Mosley.

Can you speak a little about your novel, Spora? What is it about?

Spora is a pseudo-lovecraftian horror story about a boy who faced an ancient monster who spreads diseases, making zombies, and planting nightmares by using its spores. It’s also a bit gory. Telling you more than that would be giving a lot of spoilers away, though, sorry!



How long did it take you to write? Did it change very much while you were writing it, or did it stay close to your original idea?

Surprisingly, it didn’t take a lot of time. I remember started writing it in January/February, and sending it to publishers in late March. It’s short, less than 35k words, and it was cut here and there in the editing session. There are changes, some of them make the novel a bit different from what I intended it to be, which is a pure lovecraftian horror, but I don’t really mind it.

What was your publishing journey like? How did you find your publisher?

My publishing journey is a bit difficult.

Read more... )

What are your plans for 2015?

I’m currently writing two books, one of them has been signed to a major publishing house. I’m also doing a bit of translating works to help sustain myself while waiting for the royalties to come. I plan to publish more books, at least three, in this year. I plan to start a sci-fi series and write a horror novella. And I hope I can still balance my study (which is getting crazier by each day) with my equally maddening writing life.

What about you?

Me? I'll be writing too! And enjoying the adventure of finding new and interesting people to talk to online.


asakiyume: created by the ninja girl (wanderer)
One thing I love about Twitter is that it lets you peek into many different places, many different disciplines, many different interests. Some of my interests include genre fiction, diversity in literature, and Southeast Asia, so maybe it’s not surprising that I’ve ended up following Ahmad Alkadri (@alkadri), a student in forestry in Indonesia who’s also a translator and a writer. His debut novel Spora, a tale of Lovecraftian horror, came out last year.

He kindly let me ask him some questions about the genre scene in Indonesia and about his own work. Today’s questions are about Indonesia. Tune in tomorrow to learn more about Ahmad himself and his writer’s journey.

Can you speak a little about the science fiction, fantasy, and horror writing community in Indonesia? What Indonesian writers would you like to see gain popularity outside of Indonesia?

The communities are small in number, but they are very passionate! There are some very active groups, such as Kastil Fantasi (@KastilFantasi), Penggemar Novel Fantasi Indonesia (PNFI) (@portalfantasi), and Le Chateau de Phantasm (@L_C_D_P). Also there are fan groups, such as Harry Potter Indonesia, The Darkest Minds Indonesia, The Mortal Instruments Indonesia, and so many more.

I’d pretty much want to see some Indonesian writers and books going abroad. Vandaria Saga is an original high epic fantasy series from my country, spanning books and video games, with a coherent world and intertwined little stories that I’d like to be skyrocketed in other countries.


We also write good action stories (which lately have been developed into all other sorts of action movies, one of which is The Raid), and horror novels (Eve Shi is my favorite Indonesian horror writer by now—check out her works!). I’d really like to see all of them, together, graced the international market together.

Eve Shi

Indonesian, lifelong and full-time fangirl, writer. She subsists on tea, fruit juice, and the occasional latte. Currently her favorite writers are the late Liang Yusheng (wuxia writer), Arakawa Hiromu (mangaka), and Zen Cho (Malaysian speculative fiction writer). Her third YA supernatural/horror novel, Unforgiven, is published by Gagas Media in June 2014. Next: Sparkle (YA, drama), from Noura Books in November 2014. (Source)


How would you describe Indonesian science fiction, fantasy, and horror? (Are there qualities to it that feel uniquely Indonesian to you?)

Indonesian fantasy stories are usually full of action, with merciless villains and a heavy political plot ready to destroy the hero. You think Game of Thrones is hardcore? Well there is this TV series, a long time ago, about an evil witch (Mak Lampir) who manipulated kingdoms full of martial art masters (each one of them is probably capable of handling her in one-on-one battle) to keep battling each other to death. And the hero is a homeless, wandering warrior. With a whiplash as main weapon (rad, huh?).
Mak Lampir

(photo source)


The horror stories are frightening, and here is where I’d proudly say that they are, most of them, uniquely Indonesian. We have many paranormal creatures and ghosts from our own folklores, and most of them are terrifying. We have our own zombies (google: zombie toraja indonesia), vampires (google: hantu leak), and even were-creatures (google: babi ngepet). Check them out. You’d be surprised.

Have some google images. . .

(The image of a zombie from Toraja is under a cut because your hostess finds it genuinely terrifying)
Read more... )

(Okay, you know what? Hantu leak is also too horrifying to go without a cut. She’s a human head, but her body is nothing but viscera)
Read more... )

Babi ngepet is a were-boar

(image source)

Any questions for Ahmad about Indonesia's genre scene? Leave them here!
asakiyume: actually nyiragongo (ruby lake)
. . . has surely got to be working in the sulfur mines in the crater of Kawah Ijen, a volcano in East Java, Indonesia. Stop and think a moment. Sulfur mining. In a volcano.

It's a world of fire, acid, and poisonous gases.

(There is an acid lake in the crater.)


Molten sulfur is blood red, but it burns with a blue flame. The photographer Olivier Grunewald took these photos, which ran in the Boston Globe on 8 December 2010. (Source for the entire photo essay here.) (Hat tip to [livejournal.com profile] yamamanama for showing me these!)

sulfur flames

image © Olivier Grunewald


image © Olivier Grunewald

molten sulfur

image © Olivier Grunewald

hard work )

In conclusion. If you want to do a Cracked list about working in actual hellish circumstances, don't leave out the sulfur mine of Kawah Ijen.


Exhalations

Jan. 6th, 2014 08:52 am
asakiyume: actually nyiragongo (ruby lake)
Because of Pen Pal, I pay attention to volcanic eruptions. Yesterday Mt. Sinabung, one of Indonesia's 130 active volcanoes, erupted. The Guardian has a photo essay here. Two photos from that set below:

Mt. Sinabung (Photo by Ade Sinuhaji)


Ash coats a motorbike (Photo by Binsar Bakkara)


Meanwhile, where I live, the land has fever-and-ague, going from deep, deep freeze to bursts of heat, during which it sweats and pants--not steam, though; just water vapor.

During this brief melt, the secret roads of voles and mice are revealed. Their motto is a straight line is an abomination



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